Artes Visuales

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Anima
(2017) Guzmán Guzmán, Luis Armando; Álvarez Palomeque, Julio Efraín
ÁnimA favors the reflexive through the use of the image, in which the idea-form consolidation is sought. Through the drawing are created figures that investigate the mystical aspect of being in a timeless environment in which silence, emptiness and fantasy prevail to represent our interiority making use of resources such as corporal hieratism, reflection and transparency.
Artes contemporáneas – percepción multisensorial – espacios de inclusión para personas en situación de discapacidad visual: un acercamiento al tema
(Universidad de Cuenca, 2023-11-17) Trelles Herrera, Andrea Jacqueline; Álvarez Palomeque, Julio Efraín
In this exercise of multisensory perception - spaces of inclusion for people with visual impairment, paradigms established over time and in the understanding of people without disabilities are being challenged. One of the paradigms being broken is the conception of the visual arts as an art exclusively to be seen with the eyes. Although it may seem paradoxical, this project uses actions and elements-objects that a visually impaired person cannot see, but can perceive through their other senses. On the other hand, normo-visual people could observe, but in the context of the project they are prevented from doing so, so that their experience resembles that of blind people. In this work, several actions and elements-objects are intertwined to form an artistic installation in the field of Contemporary Art. As main objective, the interest lies in promoting spaces of inclusion through the planning and development of a Contemporary Art Laboratory, this proposal is to develop an experimental artistic product of inclusive character with a research component, which allows us to reach our secondary objective, which is to know the communicative scope of the proposed multisensory art installation, perceived by a group of young people with visual impairment and normo-visual people of the city of Cuenca.
La comercialización de la salud está presente en el arte: salud, dinero, (des)amor...
(2008) Torres Ortiz, María Marlene; Álvarez Palomeque, Julio Efraín
Cómo leer en un bus y no perderse entre líneas?
(Universidad de Cuenca, 2022-07-19) Rendón Reinoso, Ana Belén; Álvarez Palomeque, Julio Efraín
The article exposes the process of immersion, research and conceptualization of the project: How to read on a bus and not get lost between the lines?, where praxis itself acts as a methodology, typical of relational artistic practices. The intervention proposes to reprogram the audiovisual devices (LED panel and speakers) of a bus in the city of Cuenca, which in the normal routine are used to announce the route of stops, leaving gaps where; and as part of the project, poetic texts and audios based on experiences narrated by users and bus drivers are included in order to challenge users from everyday life and thus generate a reconnection both with their senses and with their social environment.
Creación de arte narrativo pictórico basado en la leucemia
(Universidad de Cuenca, 2021-06-08) Duy Ruiz, Diego Geovanny; Álvarez Palomeque, Julio Efraín
The present degree work is the creation of a literary story based on the scientific-theoretical investigation of acute lymphoblastic leukemia (ALL) and in the existential philosophical reflections that this deadly disease entails, in order to be represented through painting thanks to the elements of two-dimensional artistic composition and the rhetoric of painting. In this way, for the creation of this work with many conceptual elements, the investigation of the theory of form by Carlos Rojas has been relevant. Thus becoming a fundamental tool to organize and base artistic work with scientific, aesthetic, pictorial, narrative and philosophical facts. In this way, for the creation of this work with many conceptual elements, the investigation of the theory of form by Carlos Rojas has been relevant. Thus becoming a fundamental tool to organize and base artistic work with scientific, esthetic, pictorial, narrative and philosophical facts. The motivation of this extensive work is the understanding of a personal experience that occurred in childhood; therefore, the satisfaction of creating this work is not only to narrate the scientific facts of the disease but also to capture the thinking and feeling of the person who suffers it. Without a doubt, this work is a clear example of how science and art can generate artistic works that invite you to a deep reflection.
El delfín rosado libro álbum ilustrado
(2018) Fernández Quinche, Andrea Maribel; Álvarez Palomeque, Julio Efraín
Firstly, the Children’s Fictional Illustration, speaking about of Picture Book, can denounce problems, in this case the extinction of Amazonian species in Ecuador, as well as to motivate reading and critical thinking, not only children, also in people of all ages. The present project started with the investigation of Picture Book, the children’s visual perception, the causes of Amazonian dolphin’s extinction and environmental problem in Ecuadorian Amazon. To continue with the story’s adaptation of The pink dolphin written by Edna Iturralde, for its illustration and design to Picture Book. Finally, is exhibited in a school of Cuenca, to prove that it is didactic, where the children could enjoy with this creation, so the illustration also communicates to the people a reflection’s message.
Desarrollo del proceso creativo artístico fomentando la expresión de sentimientos y emociones en niños y niñas de la primera y segunda infancia
(Universidad de Cuenca, 2023-02-15) Ávila Galarza, Jamylex Andrea; Álvarez Palomeque, Julio Efraín
This degree work proposes the execution of an artistic workshop with boys and girls, promoting imagination through artistic tools and strategies in playful activities, addressing the development of creativity, with the intention of finding a space for emotional development. In turn, its purpose is an artistic investigation. In the workshop, perceptions and ideas were expressed and communicated through the use of different artistic languages, such as action painting, which encouraged participation and group work; and drawing and painting reinforcing creativity; relying on musical implements that served as elements oriented towards the development of empathy among infants. At the same time, the emotions and/or feelings that they perceived before, during and after starting the artistic creative process were reflected. Putting into practice the processes of analyzing, experimenting and investigating the possibilities of the different artistic languages, with an attitude of permanent curiosity, obtaining a unique result.
Estética relacional: la violencia contra la mujer, su resignificación a través de talleres artísticos y libros de artista
(Universidad de Cuenca, 2025-01-20) Quinde Pañora, Yanara Belén; Álvarez Palomeque, Julio Efraín
This work proposes an immersion in the lives of women victims of violence, with the aim of re-signifying their life experiences and seeking a space for empowerment through participation in workshops that allow access to art. The women, who freely and voluntarily participated in the project, are part of a recovery process at the María Amor Shelter, located in Cuenca, in the face of domestic violence committed by their partners. The practices carried out in the workshops are aligned with modalities of relational aesthetics, presented as the main column in the creation of these artistic spaces and experiences that, finally, are documented in the creation of an artist's book, a product of the collective memory of these experiences.
Generación de un proyecto artístico cultural con la comunidad del Carmen de Jadán del cantón Gualaceo
(Universidad de Cuenca, 2020-06-05) García Guerrero, Diego Leonel; Orellana Ulloa, Isaac Octavio; Álvarez Palomeque, Julio Efraín
Human communities are in constant dialogue with others, influencing and influencing, in a tangible and intangible way. The development of art has had a similar fate, it takes knowledge of different latitudes and it depends on the artists the development that it has. This project has two production ways: research and artistic production. The first was the work developed in the community, which was subdivided into: teaching-learning, cultural management and production of artistic work. The second is divided into two stages, research and exhibition. For the artistic production, both bibliographic and field research was carried out. We conducted open interviews (unstructured) as a research tool with a focus on the oral tradition of the community, we participated in festive events of this community, obtaining audios that later served as raw material for the production of the work, it had two moments: an audio reproduced through the speaker of the communal chapel and sound boxes called Memories, containers of objects related to the cultural proceeding of the community. The art was for this project a source of knowledge and dialogue, because the work we present is oriented to these fines.
Interpretación gráfica sobre las laceraciones del krokodil en el cuerpo humano
(2017) Encalada Solís, Juan Pablo; Álvarez Palomeque, Julio Efraín
The present proposal aims to represent by plastic techniques the physical lacerations of the human body after the consumption of krokodil or desomorphine, a heroin substitute drug, and disseminate the information to college students.To this end, a series of activities were carried out through research, artistic production, management and dissemination, through different means, of everything acted on the theme of drugs. The theoretical component, based on bibliographical research, through the reading of texts and interviews with professionals from different areas, and in descriptive research, through surveys, crosses the whole sequence of practical activities and dissemination of information. One of the axes of the project was the elaboration of illustrations obtained through a process that began with the reading of texts and the subsequent creation of sketches, which served as base for the production of the illustrations realized with manual and digital techniques. Another substantial phase consisted in managing the meeting with young students of school with whom it was interacted based on the illustrations and the dialogue centered in the knowledge and information of the krokodil. It was the personal motivations of the author of the project about the crude and cruel reality that the drug world contains and affects large sectors of society, including college students, who supported the project and the consequent participation with the young boys.
La esclavitud moderna en dispositivos tecnológicos mediante la creación artística
(Universidad de Cuenca, 2023-02-05) Andrade Martínez, Virginia Denise; Álvarez Palomeque, Julio Efraín
The following article expresses the theoretical reflection on the production of a pictorial work in which are represented, through the study and analysis of symbolic elements, some characteristic features of what is considered as modern slavery of the human being before technological devices, which they become a means of manipulation and control for humanity. The work suggests to the viewer to question how the different forms of control greatly affect the behaviors and decisions of individuals. We get used to the devices according to their statutes constituted from a factory, becoming addicted to them, with no place for sustained and critical reflections on their interference in daily life. There are latent risks.
La pastora y el deshollinador: libro álbum ilustrado
(Universidad de Cuenca, 2022-06-22) Merchán Cordero, María Daniela; Álvarez Palomeque, Julio Efraín
The picturebook became an important tool when trying to develop a linking for reading, since the middle decades of the last century, because it entertains at the same time it educates the reader, in a simple way. Addressed to children, young people and adults, it’s obvious that the public that benefits from this literary and artistic product is variated. By combining the written word with the visual image, it becomes an attractive resource to awake a certain curiosity for trying to re signify symbols. This project tries to take advantage of the historical investigation about the picturebook, that origins from children illustration, analyzing its most important artistic references and counterparts; to create a picturebook that recreates the children’s story The Shepherdess and the Sweep, by Hans Christian Andersen, in an Ecuadorian context. The final artistic product will try to rescue one of many literary works that had been neglected by the current public, giving it a fresh look to this “old” story; also, trying to recreate characters, sceneries and circumstances that will relate, in a subtle way, with the current Ecuadorian people.
La ventana como dispositivo de relación: propuesta de espacio ampliado en pintura
(Universidad de Cuenca, 2022-04-28) Calle Torres, Rafael Santiago; Álvarez Palomeque, Julio Efraín
The present research proposes a set of parameters for the production of artifacts as an alternative for spatial expansion in painting, which is understood as an area that is redefined beyond its materiality and support. The means presented for this purpose seek to evidence contemplation and exploration as active operations for the recognition of the aesthetic experience behind the languages and motives of an artistic work. We started from an experimental production that advances hand in hand with a bibliographic research on the window as an element and pictorial motive for the disposition of the observer to the study of reality captured under an aesthetic intention. The objects presented are the result of the exercise of the constructivist theory of creativity, evident by their formality, which invite the viewer to a more active inquiry and selection.
Me he suicidado: violencia de género en Cuenca del siglo XIX exponiendo a Fray Vicente Solano y a la poetisa María Dolores Veintimilla
(2013) Chin Cali, Polivio Israel; Álvarez Palomeque, Julio Efraín
In the nineteenth century, Ecuadorean women experienced a period of submission and isolation, without the right to study and to be respected by men who used to manifest patriarchal attitudes, which were rather an arbitrary, sexist and demeaning expression against the cultural proposals of women. One example was the Cuencan priest Fray Vicente Solano, who insulted and marginalized María Dolores Veintimilla de Galindo in order to isolate her from the high society. This action was conducted together with the hypocritical and saintly Cuencan society, making their victim feel so intimidated that she committed suicide just because the shameful intellect of that authoritative priest could not admit that a woman could be involved in literature or to disagree with the conservative traditions of the Cuencan people. With this background, as a nonconformist attitude it was decided to express our thoughts by using contemporary visual languages and changing the name of Fray Vicente Solano Avenue to M. Dolores Veintimilla Avenue using stickers to be pasted on such street signs. This artistic task aims to condemn those famous people who, in spite of their positive influence, hurt us by means of their power and social status. This work has been developed through field research; a deep reflection on our history is expected
Metáforas del cuerpo como espacio de ritual y memoria plástica
(2014) Cruz Pinos, Silvia; Álvarez Palomeque, Julio Efraín
This project embraces an investigation which turn around to importance of memory conservation, how to man-age personal transitions through evocation of objects. From this idea, this project covers a brief tour in the rep-resentation of human body in the Contemporary Art and esthetics which guide them and it tries to get an ap-proximation to an esthetic theory of artistic human body right now. Moreover, it is based in the investigation of diverse rituals where the hair and blood have a strong symbolic value.
Nadie: río del tiempo archivero de la lucha del agua del Azuay
(Universidad de Cuenca, 2021-07-19) Paredes Tacuri, Juan Carlos; Álvarez Palomeque, Julio Efraín
NADIE: Río del Tiempo - Archivero de la lucha del agua del Azuay is an investigative work on artistic proposals that generate other forms of human relationships proposed by Relational Aesthetics, resignified through the contributions of relational antagonism and artistic activism (artivism). The main objective of this work is to develop a collaborative project of flexible relational art together with the environmental group Yasunidos Guapondélig, according to their interests and needs, for the construction of a narrative about the history of the struggle for water in the province of Azuay. The proposal consists of the compilation and systematization of cultural products, memories, activists’ documents and the creation of a mobile installation/ performance, generally known as a mobile artefact. This device functions as an exhibition platform for the consumption of cultural products and archives that make visible the most representative actions developed by the group within the framework of resistance. This in turn seeks to generate meeting spaces and appropriation of public space. In this way, it hopes to demonstrate that artistic forms and creative tools of art are effective in generating other forms of human relationships, both affective and spatial, within communities of activists and defenders of water and non-exclusive spectators of public space. At the same time, it is a hybrid strategy of art and activism that makes visible the fight for the defense of water and territory in Azuay.
Parodia al consumo en la sociedad, utilizando la contra-publicidad y la manipulación de los lenguajes, medios publicitarios y los espacios públicos de forma artística
(2013) González Zhindón, Miguel Eugenio; Álvarez Palomeque, Julio Efraín
In the present research it is parodied the consumption in society, using the counter-advertising and the manipulation of the languages, media and public spaces, in an artistic way. A theoretical study is carried out and a practical way to irrational consumption objects by society, influenced by mercantilist systems that use commercial advertising with their languages, brands, products, which beguile us and influence to appropriate its objects, many and varied. As an example, we see advertisements of cell phones exposed by mobile phones. Also, how some artists use advertising language critically, parodic and rebellion against the system of consumption , participating, taking out of context, using common and everyday objects by moving them to an artistic and counter-advertising inspired by pop - art and the Dadaism . Hacking a billboard, in public spaces, participating as suggestive canvas, is an effective way to get your message to more people at the same time it shows how society is immersed in a world of unbridled consumption of objects. For that reason it is proposed to parody on a billboard, located in Azogues, those messages of mobile phones, using their own messages, logos and advertising slogans, with a character that invites reflection and claim to society
Prácticas suicidas: una revisión del cuerpo performático desde la resistencia física
(Universidad de Cuenca, 2021-07-30) Coka Pizarro, Daniel Fernando; Álvarez Palomeque, Julio Efraín
Suicidal Practices: a review of the performative body from physical resistance, presents in its first part, a brief approach on performance, then an analysis of possibilities of representation resulting from contexts on action art in the history of art. This works has been selected based on criteria and concepts of artists who use pain or physical resistance. The author understands the "suicidal practices" from the voluntary risk of using the body as a tool of political art. The political is understood within this research as the approaches of resistance, (denunciation, catharsis and irruption) that, from the meta-narrative as personal discourse, culminate in a breakdown of the researcher's works, which understand and make visible the interests and debates on heteronormativity, violence, pain, body, in the series called Cain in the showcase.
Propuesta visual contemporánea para una renovación estética del tratamiento pintoresquista de los caficultores en Loja
(Universidad de Cuenca, 2025-01-15) Auquilla Betancourt, Anghelo Davis; Álvarez Palomeque, Julio Efraín
Within the Loja cultural imaginary, coffee farming practices are victims of a distorted perception,due to an iconography that sweetens and idealizes them, very far from agricultural reality, in a globalized world that gives preference to the merely visual associated with the market. Faced with this problem, the work Pictorial Aromas proposes to enrich the typical picturesque and advertising vision in the representation of Loja's identity coffee growing practices, from an intimate and supportive focus on the process. To this end, a set of artistic pieces is proposed through realistic painting, with representations in which the coffee growers are the main actors, where their work, experiences and routines are highlighted in the construction of new iconography. The imaginary is reconstructed with landscapes, spaces and objects closely linked to the real world of the protagonists. An aesthetic experience is provided by immersion of the viewer in the real world of Loja coffee growing, through the addition of visual resources that include the coffee itself and objects of the cultural trousseau as compositional materials of the works, and environmental resources such as the characteristic aromas that awaken evocations and desires, while composing a new visual aesthetic, no longer exteriorist and picturesque, but from within the processes represented, with a style that does not disdain the nod to primitivism with which great masters of art history, in other times, They surpassed the iconographies increasingly standardized by the market, never from evasion, always from social commitment.
Realismo y Abastractismo
(1988) Álvarez Palomeque, Julio Efraín; Beltrán Lazo, Alejandro

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Browsing Artes Visuales by Author "Álvarez Palomeque, Julio Efraín"