Browsing by Author "Alvarado Delgado, Jannet Emperatriz"

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Acercamiento analítico musical al repertorio discográfico de la agrupación folklórica chordelense Sangre Criolla, período 1992-2018
(Universidad de Cuenca, 2021-09-07) Serrano Idrovo, José David; Alvarado Delgado, Jannet Emperatriz
The present research work took place in Chordeleg which is a town that belongs to the province of Azuay in Ecuador. This investigation work is based on the knowledge acquired in the musical area of the folk group “Sangre Criolla”. It is important to mention that this musical group belongs and lives in this place. In this context, the degree work entitled "Musical analytical approach to the record repertoire of the chordelense group Sangre Criolla, period 1992-2018" was proposed. For this study, the sociocultural environment, history, musical trajectory of the group and its contribution to the national repertoire have been considered; Likewise, technical transcriptions of various themes from his discography were elaborated, detailing melodic and harmonic fragments of each one. Based on this information, a theoretical-practical work is developed whose objective is to provide an academic contribution to Ecuadorian music.
Análisis de las composiciones de músicos cañaris del siglo XX: José María Guamán Pichazaca, José Santiago Guamán Pichazaca y Pedro Pichazaca Mayancela
(Universidad de Cuenca, 2023-09-29) Parra Pastuisaca, José Luis; Alvarado Delgado, Jannet Emperatriz
The present project of qualification called, "Analysis of the Compositions of the Cañari Musicians of the 20th Century: José María Guamán Pichazaca, José Santiago Guamán Pichazaca, and Pedro Pichazaca Mayancela", aims to recover and select the compositions of the aforementioned musicians for their enhancement. In addition, the transcription and approximate analysis of the musical works composed by the autochthonous Cañari musicians were carried out; since there is little information about the investigations of musicians and instrument makers of the Cañari culture of the Quilloac community of the Cañar Canton. In the same way, there is a shortage of reviews that show the authors of the themes or musical rhythms that currently exist in the aforementioned community. The research techniques used are based on interviews, literature reviews, and Grebe's (1976) ethnomusicological methodology, which takes into account the object, methods, and techniques of ethnomusicological research. As a final result, we can mention that a detailed report of the compositional analysis of the Cañaris musicians was obtained, in which aspects of musical forms, melodic, rhythmic, and instrumentation analysis are approached from an approximate point through a musical score. In this work, it is determined that the possibilities for the analysis and transcription of autochthonous rhythms are feasible and very necessary, taking into account that, at present, technology allows different facilities as a tool to record the native Cañaris melodies within their sociocultural context.
Análisis del repertorio operístico y de cámara, latinoamericano y ecuatoriano
(Universidad de Cuenca. Facultad de Artes, 2012-11-11) Duchimaza Cabrera, Fanny Cumandá; Alvarado Delgado, Jannet Emperatriz
Composición de tres obras musicales para voces blancas con acompañamiento instrumental
(Universidad de Cuenca, 2021-10-20) Ruque Yunga, Edisson Adrián; Alvarado Delgado, Jannet Emperatriz
This work deals with the creation of three musical compositions for white voices in genres belonging to Latin American music; for this, the origin and development of the three genres to be used have been briefly addressed: the Cuban son, the Argentine tango and the tone of the Cuencan child. In addition, general parameters on white voices have been gathered, such as: extension, phrasing, and dynamics, among others; which will help the composition of the works. Finally, there is a basic instrumentation of each genre, which enriches each of the compositions musically. Finally, it can be noted that the objective of this work is to contribute to the repertoire for white voices, in addition to contributing to the dissemination of Latin American music.
Creación de cuatro obras utilizando la fusión de elementos rítmicos y armónicos de géneros universales y ecuatorianos
(Universidad de Cuenca, 2021-10-21) Jimbo Velez, Olger Rolando; Alvarado Delgado, Jannet Emperatriz
Throughout history, music has changed, fused, adaptedand resurfaced in new musical genres. In Ecuador, at the time of the Spanish conquest, the music of the Incas (such as the yaraví), which more than an artistic expression was part of different rituals; it merged with European music. This miscegenation hasnot stopped and continues today with new musical genres.The present work aims at the creation of four musical works, using the fusion of rhythmic and harmonic elements of various genres of popular music including traditional Ecuadorian; cumbia with yaraví, rock with albazo, reggae with sanjuanito and ballad with tonada.It was necessary to use bibliographical data sheets to propose a definition of popular music and the historical context of Ecuadorian genres plus the explanation and application of the methodology of Jean La Rue (1989) for the analysis of compositions.The result obtained was the composition of four musical themes that have forms and styles of popular music in both foreign and Ecuadorian genres with their own style. In conclusion, it meant the creation of musical works that serve as an aesthetic and methodological guide for future compositions that make use of the fusion of universal and traditional Ecuadorian styles and genres.
Danzas y géneros musicales entre los siglos XIX-XX la música e salón en Cuenca
(2018) Alvarado Delgado, Jannet Emperatriz
De la investigación etnomusicológica a la composición Ipiak y Súa, un mito shuar como motivo de composición operistica
(2015) Alvarado Delgado, Jannet Emperatriz
Epistemologías de la composición musical ecuatoriana
(2019) Alvarado Delgado, Jannet Emperatriz
This review proposes a brief reflection on the knowledge systems that have served as the basis for composing music in Ecuador since colonial times, starting with the imposition of powers of Western cultural domination, up to the insubordination of institutionalized experiences, by authors who have questioned the practices of the colonial power matrix, as Quijano calls it (2000), with the purpose of exercising an epistemological repair in the musical art and achieving their own aesthetics
Estructuras temporales y espaciales en la música contemporánea
(2020) Alvarado Delgado, Jannet Emperatriz
This article reviews some historical criteria on the mathematical, natural, temporal and spatial relationships of the sounds that make up music. These categories were reconsidered in contemporary music, resulting in the creation of works with unusual sounds, related to interdisciplinary art, generative art and with fractal models. Works from Latin America are also mentioned that eventually integrate the logics of ancestral cultural cosmovision with their own structures of time and space
Las familias Pauta y Rodríguez: influencia y desarrollo de la música religiosa cuencana en la segunda mitad del siglo XIX y primera del XX.
(2018-07-13) Arias Maldonado, María Eugenia; Alvarado Delgado, Jannet Emperatriz
This study is to demonstrate the main contributions that certain artists from Cuenca, Luis Pauta, Amadeo Pauta, Asencio Pauta and José María Rodríguez, have given to the development of music in this city. Many of their religious musical compositions and repertoires have given us an opportunity to deepen some of the musicological studies already existing and the influences of these artists had during the second half of the 19th century and the first half of the 20th century. Most of the information of this research has been taken from temples, convents, monasteries and from the city Conservatory with the purpose of gathering material that has never been completely studied and that needs to be exposed and known by our society, all this through the transcription of music sheets of diverse musical genders with an analytical study of four compositions taken from each musician.
Imaginarios de la composición sistemática e intuitiva
(2021) Alvarado Delgado, Jannet Emperatriz
La obra musical de Olivier Massiaen y su Inmanencia Teológica: Vingt Regards Sur L’Enfant-Jésus
(2013) Alvarado Delgado, Jannet Emperatriz
This work is an approach to musical composition Messiaen, one of the most celebrated composers of the twentieth century His original language, is based on modes of limited transposition, not retrogradable rhythms, symbolic elements in nature with the main objective to be consistent with one truth, his theological truth through music
Música, Educación e Interculturalidad
(Instituto Tecnológico Bolivariano, 2016) Alvarado Delgado, Jannet Emperatriz; Alvarado Delgado, Jannet Emperatriz
Ópera ipiak y súa
(2010) Alvarado Delgado, Jannet Emperatriz; Andrade Córdova, Javier
Ópera Ipiak y súa
(2013) Alvarado Delgado, Jannet Emperatriz
“Ipiak y Súa” is an opera in four parts, for eight soloists, eight actors, orchestra, two choirs and electroacoustics. The music and libretto are by Jannet Alvarado, is an adaptation of the story “Ipiak y Súa a history of the eastern forests” by Oswaldo Encalada. The purpose of composing this opera, is to create a dramatic musical work with aesthetic, orchestration and argument, different from the European traditional opera, experiencing the rich culture Shuar plus other musical concepts, philosophical, linguistic, ethnomusicological and contemporary compositional techniques. Fused human animals or plants, shamans, warriors and gods, are protagonists of myth Shuar and the drama of this opera no costumbrista. Ipiak y Súa, are two women who fulfill their oracle, they become trees. These trees are transcendental for the people. This theater singing is based on a chimeric argument that fuses urban and wild nature, this is framed in a contemporary music, acousmatic, electroacoustic, designed to make emotions feel forgotten or unknown.
Revista de la Universidad de Cuenca. Anales 135 aniversario
(Universidad de Cuenca, 2025) Montes Sánchez, Macarena ; Suárez Moreno, Cecilia María del Carmen ; Mosquera Calle, Jonnathan ; Guerra Carvache, Olmedo ; Moreno Ríos, Ximena Janneth ; Alvarado Delgado, Jannet Emperatriz ; Vintimilla Jarrín, Diego ; Jadán Heredia, Diego Gonzalo ; Orellana Calle, Marcela Andrea ; Piedra, Mónica Malo ; Torres Palchisaca, Galo Alfredo ; Rodríguez El Khori, Ibrahim ; Moreno Campoverde, Paola ; Novillo Verdugo, Miguel Ángel ; López Zamora, Jorge Daniel ; Dávila Zamora, Juan Pablo ; Calle, Ana Marina; Calle, Santiago ; Crespo Castro, Iván ; Escudero Durán, María Lorena ; Arteaga Auquilla, María Teresa
Texto y música en el pasillo cuencano
(2019) Alvarado Delgado, Jannet Emperatriz
This work briefly reviews the validity and development of one of the traditional musical genre that most characterizes Ecuador and Cuenca, the Pasillo, which sung or instrumental is synonymous with national music. The lyric of the Pasillo-song has been subjected to analysis from the narrative discourse and from its poetic format that has gone through contrasting styles along with lounge music, through the rocolera music, to the academic contemporary music. The Pasillo has been consumed by all social sectors and fulfills cultural functions that maintain the identity of the city.