Person:
Alvarado Delgado, Jannet Emperatriz

Birth Date

1963-11-11

ORCID

0000-0002-0705-0153

Afiliación

Universidad de Cuenca, Cuenca, Ecuador

País

Ecuador

Organizational Units

Organizational Unit

Faculta de Artes

La Facultad de Artes fue creada por el Honorable Consejo Universitario el 3 de agosto de 1999, para su organización y planificación administrativo-académica, iniciando sus actividades universitarias en octubre del año 2000. Artes es una facultad diferente, renovada, interdisciplinaria, con identidad y vínculos con la comunidad y el mundo; un lugar para desarrollar la creatividad juvenil en los generosos lenguajes de las artes plásticas, artes musicales, artes escénicas y el diseño. Cuenta con profesores permanentes actualizados y comprometidos; estudiantes creativos, sensibles, cuestionadores; autoridades democráticas, transparentes y relacionadas con la transformación. Tiene un nuevo modelo pedagógico activo y participativo, que busca sistemática y paulatinamente rodearse de los mejores equipamientos; empleados comprometidos con el bienestar colectivo; un campus universitario ubicado en una de las zonas de mayor belleza paisajística de la ciudad, Yanuncay; son solo algunos de los factores que nos alientan a trabajar con gran entusiasmo y esfuerzo para alcanzar la excelencia.

Job Title

Profesor (T)

Last Name

Alvarado Delgado

First Name

Jannet Emperatriz

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Now showing 1 - 9 of 9

Música, Educación e Interculturalidad
(Instituto Tecnológico Bolivariano, 2016) Alvarado Delgado, Jannet Emperatriz; Alvarado Delgado, Jannet Emperatriz
Imaginarios de la composición sistemática e intuitiva
(2021) Alvarado Delgado, Jannet Emperatriz
Epistemologías de la composición musical ecuatoriana
(2019) Alvarado Delgado, Jannet Emperatriz
This review proposes a brief reflection on the knowledge systems that have served as the basis for composing music in Ecuador since colonial times, starting with the imposition of powers of Western cultural domination, up to the insubordination of institutionalized experiences, by authors who have questioned the practices of the colonial power matrix, as Quijano calls it (2000), with the purpose of exercising an epistemological repair in the musical art and achieving their own aesthetics
De la investigación etnomusicológica a la composición Ipiak y Súa, un mito shuar como motivo de composición operistica
(2015) Alvarado Delgado, Jannet Emperatriz
Estructuras temporales y espaciales en la música contemporánea
(2020) Alvarado Delgado, Jannet Emperatriz
This article reviews some historical criteria on the mathematical, natural, temporal and spatial relationships of the sounds that make up music. These categories were reconsidered in contemporary music, resulting in the creation of works with unusual sounds, related to interdisciplinary art, generative art and with fractal models. Works from Latin America are also mentioned that eventually integrate the logics of ancestral cultural cosmovision with their own structures of time and space
Ópera Ipiak y súa
(2013) Alvarado Delgado, Jannet Emperatriz
“Ipiak y Súa” is an opera in four parts, for eight soloists, eight actors, orchestra, two choirs and electroacoustics. The music and libretto are by Jannet Alvarado, is an adaptation of the story “Ipiak y Súa a history of the eastern forests” by Oswaldo Encalada. The purpose of composing this opera, is to create a dramatic musical work with aesthetic, orchestration and argument, different from the European traditional opera, experiencing the rich culture Shuar plus other musical concepts, philosophical, linguistic, ethnomusicological and contemporary compositional techniques. Fused human animals or plants, shamans, warriors and gods, are protagonists of myth Shuar and the drama of this opera no costumbrista. Ipiak y Súa, are two women who fulfill their oracle, they become trees. These trees are transcendental for the people. This theater singing is based on a chimeric argument that fuses urban and wild nature, this is framed in a contemporary music, acousmatic, electroacoustic, designed to make emotions feel forgotten or unknown.
La obra musical de Olivier Massiaen y su Inmanencia Teológica: Vingt Regards Sur L’Enfant-Jésus
(2013) Alvarado Delgado, Jannet Emperatriz
This work is an approach to musical composition Messiaen, one of the most celebrated composers of the twentieth century His original language, is based on modes of limited transposition, not retrogradable rhythms, symbolic elements in nature with the main objective to be consistent with one truth, his theological truth through music
Danzas y géneros musicales entre los siglos XIX-XX la música e salón en Cuenca
(2018) Alvarado Delgado, Jannet Emperatriz
Texto y música en el pasillo cuencano
(2019) Alvarado Delgado, Jannet Emperatriz
This work briefly reviews the validity and development of one of the traditional musical genre that most characterizes Ecuador and Cuenca, the Pasillo, which sung or instrumental is synonymous with national music. The lyric of the Pasillo-song has been subjected to analysis from the narrative discourse and from its poetic format that has gone through contrasting styles along with lounge music, through the rocolera music, to the academic contemporary music. The Pasillo has been consumed by all social sectors and fulfills cultural functions that maintain the identity of the city.