Facultad de Artes Tesis Maestrías

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/138

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Analisis estructural en las obras de genero pasillo Porque me haces sufrir y Quito de mi amor del compositor zarumeño José Antonio CHASO Jara
(2017-03-29) Arévalo Chuchuca, Celso Marino; Romero Arcaya, Aníbal Stefan
This research work constitutes a contribution to the knowledge of the historical trajectory, creation and musical orings of this great musician-composer Orense José Antonio Jara better known as Chaso Jara, who throuhg artistic conceptions has made contributions for the devolopment of the musical phenomenon in the province of Gold. As well as the structural analysis of the corridors Because you make me suffer and Quito of my love within the context of popular music. In this context, consideration has been givento the phenomena of globalization, transculturation and hybridization, defined through the contribution of the various civilization that have occupied the territory, a process that has provoked a plurality of musical currents, coexist simultaneously in contemporary Ecuadorian culture.
Análisis etnomusicológico de los cantos ujáj en la cultura tradicional shuar de la amazonía ecuatoriana
(2017-10-12) Franco Cortez, Juan Carlos; Palacios Mateos, Fernando
The ujáj chants are part of the shuar traditional music, a binational indigenous tribe located in the Amazon forest, between the south-center region of Ecuador and the northwest region of Peru. They are feminine chants that were sang in different rituals associated with the tsantsa, the most important celebration of the shuar, held a few decades back. It consisted in the appropriation of the enemy’s strength through the beheading and head reduction. This paper inquires the uses and functions of the ujáj in the shuar culture and analyzes the musical structure, centered in the patterns, intervals and specially the hertz and cents measurement of the tonal heights that shows a different nature from the western music nature. Therefore, refuting the thesis that some researchers maintained that the shuar music structure is made from thre or four sounds (triphonia and/or tetrafphonia)
Análisis musical de la ópera Eunice de Luis Humberto Salgado
(2017-10-05) Schiaffino Alvarado, Gladys Ivonne; Torres López, Rondy Felipe
There are few publications on the theme of the opera in the Ecuador added to the scarce interet that is manifest in study them operas that contain themes national, since is still preferring them operas that come of Europe. It is necessary to promote an awareness of the Opera productions that constitute heritages lyrical in the country to which it has decided to make ananalytical work of the music and libretto of the opera Eunice (1956-57) of the Ecuadorian composer Humberto Salgado, who found an own aesthetic, through a national academic, through the adaptation of harmonies and European modern techniques combining them with native of his country elements. The musical analysis in this thesis covers all parameters harmonic, melodic, rhythmic and form, as well as a literary analysis on the text of the opera. This work originates motivated by the desire to disseminate the work opera Salgado and it is thought that Eunice would be the first opera more convenient to address in relation to the three operas remaining, Cumandá (1940-54); El centurión (1959-1961); and El tribune (1964-1971), for be Eunice the of shorter duration and both the analysis and the transcript of this opera will foot so that you can continue with the same work in the other.
La banda de pueblo de la parroquia Cubijíes - Chimborazo, incidencia cultural, recopilación, análisis, y transcripción de partituras durante los años 1970-1975
(2017-10-06) Samaniego Cajo, Iván Leonidas; Sánchez Bonilla, Angélica María
The present research is part of an ethnomusicological work oriented to value the musical works that were interpreted by the band of town of Cubijíes during years 1970-1975 due to the cultural incidence that had in the region. Max Jardow, argues that ethnomusicology studies the diverse cultural and social groups of the world, reason why its area of investigation generally covers the traditional popular music. (2004, P. 05 ). The compilation of partichelas of the works interpreted by the band of the town, representative of the different musical genres ocurred took place in the parish of Cubijíes- Chimborazo thanks to the collaboration of musicians, ex-members and relatives of the same. Within these, we find religious marches, tonal pasacalles, albazos, capishscas, dancers, corridors and sanjuanitos. In the harmonic part, reference is made to the composer Paul Hindemith; As far as the musical analysis of the works in the rhytmic, melodic and harmonic aspect is realized under the approach of Margarita and Arantza Lorenzo Arizábal. The field work includes the unstructured interview and tow of Cubijíes. We used the methods analytic-synthectic, historical-logical, scientific and inductive-deductive. It is necessary to have the digitization and transcription of scores because, these will allow to expand the repertoire and have a musical reference for new generations of band musicians.
Dirección de arte y metodología de diseño aplicados en una marca lugar para Cuenca
(Universidad de Cuenca, 2021-11-17) Arce Zamora, Pedro Esteban; Tripaldi Proaño, Toa Donatella
In the city of Cuenca – Ecuador has become a common practice for the last mayoralties to make an effort to place their own administrative brand as the city brand, proving the lack of place brand that represents the city. This project aims to produce a place brand applied to Cuenca up to a proposal level, using as a design method as a research tool and art direction for the brand production.
Maestros de capilla en la catredral nueva de Cuenca, el repertorio de Jhoffre Hidalgo Mora Yanza: análisis e interpretación
(2015-12-16) Urgilés Encalada, Priscila Alexandra; Molerio Rosa, Arleti María
This research work aims to publicize the role of a Kapellmeister at present, his life and his works. One of the last Kapellmeister existing in the city of Cuenca is the Master Jhoffre Mora, why has been considered as the main protagonist of this thesis, it will develop a compendium of their studies, expertise and experience in the performance of religious music, his duties as Kapellmeister and selection criteria repertoire performed by him
Recopilación y análisis de obras para flauta traversa de compositores ecuatorianos a partir del siglo XX
(2016-06-11) Macas Cabrera, María Dolores; Crespo González, Mercedes
This research work seeks to highlight the Ecuadorian musical works of composers who are part of the twentieth century, it contributes to the process of learning the flute in our country. While you are going to go work you get exposed to a sample background framed in relevant historical events that take place under this theme. It should be noted as in some Latin American countries national works are an important part of the repertoire of professional flutists and students; therefore this study aims to collect and analyze musical works of composers Ecuadorian contribute in the process of learning the flute in Ecuador, positive experience in developing interpretive technique and using environment near the Ecuadorian material. My main objective in the conclusions and recommendations is to flautística Ecuadorian family works to provide interpreters, so it is appropriate to collect works that may choose to include in the curriculum of study of the various conservatories and universities in the country, which becomes an educational tool.
Teatralidades y dramaturgias del teatro contemporáneo cuencano: 2005 - 2013
(2017-06-20) Carrasco Espinoza, Diego Alfonso; Rojas Reyes, Carlos Fabián
This research seeks to understand the theater of Cuenca, at a specific time 2005 - 2013, in which we believe lived one of the most lucid, rich and complex moments that the tables have had in our city. It includes an important amount of historical data, although it is not intended to be a history of what happened in the theater at this time, but rather seeks to determine how groups and collectives, as well as individual determining artists, developed their work in this near past. Understand therefore their conceptual sources, techniques and the methodologies that developed in their ardua work. For this, a characterization of the scene was elaborated, going to documentary sources, own notes and the creators involved, and then proceed to select a representative sample of collectives or artists, whose trajectory was studied in detail. A critical, analytical and descriptive exercise was then performed on a play by each of the selected creators, using a methodological model that was created for this purpose, starting from the categories of dramaturgies and theatricalities, used as tools of analysis. This characterization also included the most relevant events that during the period existed or exist, as well as the formative options that exist in scenic art in the city, which are also briefly studied to complete the panorama. Both the model of analysis created and the historical inquiry required the construction of an important categorical and conceptual body, oriented to support the applied methodology, such as developed analyzes and historical inquiry, which is present throughout the text.

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