Artes Escénicas-Pregrado
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Item El cuerpo como archivo: La memoria y el cuerpo(Universidad de Cuenca. Facultad de Artes, 2026-02-10) Espejo Gutama, Katherine Cristina; San Martín Arévalo, Diego PaúlIn this thesis titled The Body as Archive: Memory and Body, the aim is to analyze and systematize how the concept of body archive by Bonfim is used to store and express the collective memory of abuse victims. The study examines theatrical techniques that enable the actor's body to become a vehicle for denunciation and testimony, facilitating a profound and meaningful representation of these experiences. The play Documento (San Martín, 2019) stands as an act of denunciation against the inhumane crimes committed by former priest César Cordero Moscoso against children who were part of his educational institutions. Through a dramaturgy that engages with the concept of body archive, the play articulates the perspective of the victims, constructing a scenic poetics that draws from their testimonies and the actor's body as a vessel of memory. This symbiosis between the physical and the verbal not only allows for multiple interpretations but also invites an intimate and moving reflection. Thus, the stage becomes a territory of resistance, where denunciation and collective memory intertwine, giving voice and presence to those who were silenced. The objective of this thesis is to analyze the tools, procedures, and strategies employed in the creation of the theatrical work Documento. The research focuses on breaking down the techniques and methodological processes applied in the conception and development of the artistic project, aiming to provide a deep understanding and critical reflection on the theatrical practice.Item Sistematización de un entrenamiento corporal dirigido a un ejercicio de animación de objetos(Universidad de Cuenca. Facultad de Artes, 2026-02-09) Males Castañeda, José Manuel; Carrasco Espinoza, Diego AlfonsoThe thesis pursues as its central objective the systematization of a body training aimed at the animation of objects based on personal experience as an artist: as a theoretical foundation, a referential framework is presented to design and implement training programs and their systematization adapted to the specific needs of performing artists.This framework seeks to develop the skills and coordination necessary to produce high-quality animations. The practical exercise focused on animating a protagonist object, an atomizer, along with other elements such as a basket and a shoe. The process was documented through videos and photographs, enabling the creation of a systematized body-training model. This model has identified key skills and evaluated its effectiveness in improving the efficiency and effectiveness of animation creation. The results demonstrate that systematized training not only enhances animators' coordination and technical skills but also optimizes the creative process. The thesis concludes that this approach can be a valuable tool for animator training, offering a structured and adaptable method to achieve professional standards in object animation.Item Entre la rigidez y lo maleable: el tránsito hacia un entrenamiento corporal consciente(Universidad de Cuenca. Facultad de Artes, 2025-11-24) Pizarro Rosas, Diego Enrique; Ortiz Mosquera, Fidel ErnestoThis thesis studies how different perspectives on dance pedagogy can construct a perspective on the learning process. In dance, of any kind, body awareness is essential for transmitting knowledge to the student, since knowledge of one's own working instrument—the body—is essential for the fulfillment of the learning experience. In this study, it will be relevant to consider traditional dance techniques, which tend to automate mechanical repetition and the construction of an ideal of body and movement. Through a theoretical and procedural review of the author's experience, three fundamental moments in his learning experience will be analyzed: the reproduction of the ideal pattern; the conflict produced by the new somatic experience; and the doubt about what was previously learned; finally, the integration of both, unconsciously at the beginning and consciously at the end. These three moments or stages of learning will allow us to understand the particularity of each learning experience and give each one its appropriate value, without diminishing its importance.Item Sistematización del Proceso de Creación del Personaje “La Yerberita” Creado por la Actriz Augusta Angamarca, para el Proyecto de Rutas Patrimoniales de la Ciudad de Cuenca(Universidad de Cuenca. Facultad de Artes, 2025-11-14) Rios Villalva, Evelin Rosana; San Martín Arévalo, Diego PaúlThis thesis analyzes the creation process of the character "La Yerberita," created in 2017 by actress Augusta Angamarca for the Cuenca Heritage Routes project. It considers the research methods, acting tools, methodologies used in the creation process, and some background information regarding the actress's family history. The thesis is composed of three chapters: the first contextualizes and describes the Cuenca Heritage Routes project of the Barojo Company, its main promoters, its goals, and its cultural intentions in enhancing the city's intangible heritage, for which the popular fictional character, "La Yerberita," was designed. The second presents an overview of the main aspects that characterize Cuenca's heritage culture through historical figures and data that contribute to historical reflection and inquiry as credible support for the formation of this character, the object of research. The third and final chapter delves into the cognitive interactions that lead to the dramaturgical formation of the character and the creative process, referring to the parameters of creation, which stem from the emotions and affective family memory of the character's creator. The appendices provide detailed information on these processes, contained in the interviews conducted by this author with the creators involved in this process.Item Transformación corporal a partir del análisis de la noción de cuerpo cinestésico, dentro de la etapa de trabajo de mesa de un texto teatral. Estudio del caso Espectros, obra adaptada por Teatro Brujo(2019-06-20) Becerra Berssoza, Maria José; San Martín Arévalo, Diego PaúlThis research project aims to reflect on a process of creation based on the adaptation of a classic theatrical text and how this reflection affects the body and transforms it. Taking into account the diversity of the starting points for the creation-interpretation and/or composition of various products or stage exercises, we focus directly on the methodology of the first part of the table work from a theatrical text by the actress in terms of creation, composition and interpretation. Hoping to systematize the work previously done within the play ESPECTROS, adapted from Teatro Brujo, 2017, Cuenca. After the approach on the body and the elements that we seek to rethink: perception, corporality and the idea of the world; they allow us to disarticulate a static conception on the body, in an organic way, to kindly reconstruct it within the current context. As references for this perspective on the body are: Mariana del Mármol, Mariana Sáenz, then for our cinesthetic body we turn to Asier Pérez and his focus around Maurice Merleau-Ponty. This reconstruction is related to the appropriation and awareness of the creative memory and the kinesthetic body. The methodology we chose for this research project is done qualitatively. Outside we think that the body, the text and inside we want to identify the different reflections that encompass and detonate these elements within a process of creation in the performing artsItem Puesta en escena sobre el cuerpo que migra en base a la antropología teatral:análisis de historias narradas de emigrantes de la provincia del Cañar, creando una metáfora para la construcción de una muestra escénica de teatro, mediante la antropología teatral(2013) López Mejía, Nataly Estefanía; Peroff Montesinos, María IsabelThere are many factors to be considered in the development and execution of a project. This work is based on the analysis of stories about people that, for some reason, closely lived the migration process and the concern of a loved one. The elements that born from this stories are break down. Through the Anthropological Theatre, a dramaturgical about the migrating body’s ability to transformation, is created and is staged.