Facultad de Artes

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Abordaje visual contemporáneo de conductas excesivamente autocríticas, desde una actualización del tratamiento estético de lo cómico
(Universidad de Cuenca, 2024-03-07) Brito Correa, Carlos Daniel; Ordóñez Carpio, Santiago
Currently, criticism influences how people seek to meet social expectations to obtain approval, leading to negative self-criticism that motivates behaviors aimed at achieving social validation, showing an empathetic facet and adjusting to the norms expected by others. This process involves canceling less accepted aspects similar to cruelty or antipathy that we prefer to hide, and the prevailing need for conformity and approval can lead us to lose authenticity and underestimate genuine aspects of personality. Faced with this situation, We set out to address this excessively self-critical human behavior, through an update of the aesthetic approach to the comic and the grotesque, with a surrealist visual work. Human duality was expressed through three paintings and a mirror. The abstract female figure (main) symbolizes the total acceptance of imperfections, openly displaying her "pure" and "corrupt" facets, while her counterparts hide their "cruel and unfriendly" side behind her, showing only their pertinent and empathetic side. This highlights the idea of accepting our duality with its imperfections and that this intrinsically dark reality is undeniable and impossible to disguise or hide. This representation symbolizes the need to recognize that, when contemplating ourselves in the mirror, we face both our bright and dark facets and only those who have accepted both facets in their being will shine, highlighting the importance of integration and acceptance of complexities. that make up human beings.
Accesorios de moda basados en la gráfica de la cultura Upano
(2015) González Tubay, Erika Fernanda; Ramos Balarezo, Pablo
In the province of Morona Santiago, canton Sucúa were found petroglyphs (symbolic designs engraved in rocks), therefore there will be realized an exhaustive study the one that will use as base for the creation of new designs, the same ones that will be applied in fashionable accessories elaborated in recycled materials. At the professional level I claim that Sucúa's community values his culture thanks to this investigation that will take for name fashionable Accessories based on the graph of the culture Upano
Acercamiento a la interpretación de la obra Introducción y Rondo Caprichoso Op.28 de Camilo Saint Saëns, mediante un estudio comparativo editorial y fonográfico
(2018) Cárdenas Ochoa, Jéssica Lourdes; Vergara Saula, William René
The present study, worked with obtIaining a close interpretation of the work Introduction and Rondó Caprichoso Op.28 by Camilo Saint Saëns, through a comparative editorial study and phonographically linked to a musical analysis of the work. At the start referent aspects of musical structure are discussed along with the harmony, melody, rhythm, orquestration, etc, and later, there is a deeper understanding of of the comparative editorial and phonographic, where a deeper understanding of specific interpretive aspects of both violinists taken as referents for this work. In the editorial works an analysis and comparison of aspects such as articulatory suggestions, digitizations, the way the bow is used, and in the phonographic works the use of sound and the election of timing were analyzed for the use and productions of different sections of the work.
Acercamiento a los elementos compositivos y pianísticos del pasillo para piano Agur del compositor Henry Alvarez
(Universidad de Cuenca, 2022-01-06) Alvarez Matute, Henry Emanuel; Bueno Escobar, Julio Darío
The present document it´s about an approach to compositional structures, to establish musical elements that will serve in the understanding and pianistic interpretation of the work. By recognizing these elements, characteristics of Ecuadorian musical folklore can be identified, fused with styles, techniques and academic structures of the nationalist current. This work carries out a qualitative study, because the Agur pasillo is an observable fact designed to make specific points of view known in piano performance in various aspects such as compositional style, shape, texture, agogic, dynamics, etc. On which the recommendations that require a clear, clean and balanced acoustic production will be made. It is necessary to remember that there is no information regarding the academic Agur pasillo, because it belongs to the authority of Henry Alvarez, a composition completed approximately in the year 2017, so this work serves as a source that allows us to understand the musical conception of the work, the historical context on which it was based for its composition which addresses the style, form and compositional processes extracting the musical elements that are present in it.
Acercamiento analítico musical al repertorio discográfico de la agrupación folklórica chordelense Sangre Criolla, período 1992-2018
(Universidad de Cuenca, 2021-09-07) Serrano Idrovo, José David; Alvarado Delgado, Jannet Emperatriz
The present research work took place in Chordeleg which is a town that belongs to the province of Azuay in Ecuador. This investigation work is based on the knowledge acquired in the musical area of the folk group “Sangre Criolla”. It is important to mention that this musical group belongs and lives in this place. In this context, the degree work entitled "Musical analytical approach to the record repertoire of the chordelense group Sangre Criolla, period 1992-2018" was proposed. For this study, the sociocultural environment, history, musical trajectory of the group and its contribution to the national repertoire have been considered; Likewise, technical transcriptions of various themes from his discography were elaborated, detailing melodic and harmonic fragments of each one. Based on this information, a theoretical-practical work is developed whose objective is to provide an academic contribution to Ecuadorian music.
Actividades artísticas como mecanismo escolar para reducir el estrés: caso de estudio la filigrana
(Universidad de Cuenca, 2023-06-19) Cabrera Aucay, Milton Xavier; Zhindón Duarte, Jonnathan Andrés
The school stage turns out to be a complex process in the life of students since they not only have the obligation to devote much of their time to fulfill their homework but also have obligations outside the school environment; among them: family activities and difficulties from the health area, which are generators of stress in students, affecting their life, both physical and mental, inside and outside the classroom. Therefore, stress is a problem that must be taken into account in student life, as it directly reflects on the academic performance of children, a clear example is their behaviour, disinterest, distraction, and lack of motivation, among others; to improve this, the necessary tools must be applied to learn how to manage it. Hence, the arts have been used as mechanisms to cope with stress. It is through the plastic arts, specifically filigree, a technique that achieves artistic results from manipulating and rolling paper, which aims to lower stress levels in students and achieve physical and mental wellbeing. The use of lattice helps to reduce stress in students, creating a friendly environment where they can express their emotions, in addition to the satisfaction of artistic achievement, therefore, it can be used as a strategy to combat stress in students and prevent them from relapsing into more serious problems. The results show that it is appropriate and possible to decrease children's stress with the application of filigree.
Actualización de obras musicales populares ecuatorianas en el contexto contemporaneo
(Universidad de Cuenca. Facultad de Artes, 2011-11-11) Tepán Tamay, Juan Carlos; Freire Soria, Carlos Gonzalo
Actualización estilística de las características de la pobreza en la historia del arte basado en las secuelas del Covid-19
(Universidad de Cuenca, 2023-03-01) Coronel Arias, Jonathan Fernando; Cadme Galabay, Fanny Guadalupe
The present curricular integration work entitled: Stylistic update of the characteristics of poverty in the history of art based on the aftermath of Covid-19. It is an analytical exegesis carried out on the pictorial work produced with the aim of making representations that update the theme of poverty with experiences of the Covid-19 pandemic in the history of art, through the technical-stylistic resources of expressionism. For this purpose, an analysis of the processes, characters, and pictorial techniques involved in the production of this work was carried out. Methodologically it is an exercise of "Research-creation" which continues with a qualitative paradigm and descriptive scope. Complementing itself with the museography carried out for its exhibition helps to bring this series of paintings to the level of expanded painting.
La aculturación Shuar en el arte contemporáneo obra instalativa de chontacuros
(2018-05-04) Avila Sarate, Kateryn Janira; Washco Castro, Adrián Efrén; Guzmán Galarza, Manuel Geovanny
The present title work aims to investigate the elements that characterize the Shuar culture and its current state to settle a problem produced by the processes of acculturation in the province of Morona Santiago, with the result of an installation using the chontacuro worm. Where the individual is more than a collective, it is essential to speak and write to record the current cultural presence, the problems that encompass it and the consequences of a nation, collectives, people without culture. In order to understand the current state of the Shuar and its cultural identity, it is necessary to stop and look at the peoples of the Amazon and it is enough to observe around us in order to have an idea of the problem posed in this work of titling. Art as a means of expression has been a way of generating and removing conscience in the face of social and cultural problems.
Adaptación de composiciones de música nacional ecuatoriana como componente didáctico para la enseñanza del piano en el nivel inicial del Conservatorio Superior de Música Salvador Bustamente Celi de la ciudad de Loja
(2014) Aguirre Tene, Alex Roberto; Pineda Albán, Roque Arulfo
The program of study of the initial level of piano at the Conservatory of Music “Salvador Bustamante Celi" city of Loja, shows that piano students have no teaching instrument musical piano with sounds of our musical staff and Ecuador training is carried out based on European, American and Latin American repertoire without diminishing its importance. For this reason, the following research proposal arises: Tutorial for piano teaching repertoire instrument Ecuadorian initial level, it is composed of musical concepts, practical technical exercises, and eighteen adaptations of Ecuadorian popular music with progressive difficulties include rhythmic patterns for the left hand and its corresponding implementation in certain musical piece and gender appropriate for the systematic development of skills and abilities that will affect them positively in the musical training of students. And also, there is provided a musical technical analysis of national musical compositions potentially suitable for educational versions of the initial level of piano, which were selected according to the rhythmic classification periods makes Gerardo Guevara Ecuadorian music, being established as follows: Period Colonial Tonadas, Albazos, Aires Típicos, and the period of the Republic the Pasillos. Which allowed us to identify the most significant musical analytical aspects of selected works on relevance and application prospects of the learner for the respective adaptation of Ecuadorian teaching pieces for piano instrument, at baseline, which were established in the following way: musical form, rhythm and melody.
Adaptación de ejercicios del método número 1 para guitarra de Julio Sagreras a través de la Musicografía Braille
(Universidad de Cuenca, 2022-02-09) Guamán Parra, José Daniel; Ortega Cedillo, Nelson Darío
The purpose of this research project is to create support material that allows people with visual disabilities to learn and develop the technique for playing the guitar, using the high-relief musical writing system called Braille Musicography. For this reason, the musical nomenclature of the Braille system (Braille Musicography) is presented in which each musical sign, figure are represented by the combination of six points in high relief arranged in two columns of three rows within a cell. Finally, the adaptation of 49 exercises of method number 1 for guitar by Julio Sagreras to Braille Musicography is carried out.
Adaptación del concierto para violín y orquesta en D Mayor, Op 61 de Ludwig van Beethoven para guitarra eléctrica.
(2019-04-03) Gómez Mejía, Henry José; Ortega Barros, Jorge Alfredo
The present work of the thesis applies the techniques of playing of the electric guitar in the adaptation of the Concert for violin and orchestra Op 61 of Ludwig van Beethoven. For this purpose, the formal, harmonic and thematic analysis of the three movements of the work has been carried out, the techniques of the electric guitar have been explained and developed in a methodological compendium, which, in addition, is exemplified by a video tutorial that guarantees the correct interpretation of this techniques. Finally, the integral adaptation of the solo violin part, written in score and tablature for the electric guitar, is added, including all the nomenclatures necessary for its correct reading and a description of the adaptation process in the third chapter.
Adaptación del texto dramático Ollantay con herramientas del teatro físico para proponer un lenguaje escénico que permita a la obra de origen prehispánico trasladarse a la contemporaneidad
(2013) Solano Narváez, María José; Petroff Montesinos, María Isabel; Castillo Díaz, Bruno
Using the tools provided by the physical theater, creating a scenic and dramatic language, to enable the work of pre-Hispanic origin, Ollantay, transferred to contemporary, allowing you to visualize individuals to know and rescue part of their cultural identity, which is reflected in the presentation of "Ollanta, guerrero en la basura" who from circumstances propose a dual personality of the original legend ephemeral yet relate them to the present which an individual lives, questioning about what we take as part of our identity in the cultural field
Adaptación e hibridación de lenguajes escénicos, escritos y audiovisuales en torno al uso del objeto para generar un acontecimiento poético en la obra DecrouXScenic. Events
(Universidad de Cuenca, 2024-01-17) Calva Sinchi, Erick Fernando; Bustos Criollo, Jessica Cristina
This thesis work is orchestrated from practical and theoretical research on various trends in the performing arts, where procedures are proposed to generate an adaptation and hybridization that dialogues between languages starting from the written, from the object (newspaper), as well as the scenic and audiovisual language, linked to the context of the time of a geographically social region, in the work DecrouXScenic. On the other hand, the project maintains a constant transformation adapting to the social context in which it is framed, and is in turn directed to an audience through experimentation and use of social digital platforms.
Adaptaciones y arreglos de dos pasillos para guitarra y requinto
(2012) Villavicencio Salas, Danilo; Ortega Barros, Jorge Alfredo
Adaptaciones y arreglos de tres pasillos para duo de guitarra
(2014) Peñarreta Suarez, Jahndry Javier; Ortega Barros, Jorge Alfredo
The pasillo in the Ecuador has become a representative gender of the Ecuadorian musical culture, but to why the pasillo and not an autochthonous gender characteristic of our country has became a distinguished characteristic musical Ecuadorian it is what we will be studying along the first chapter of this thesis, this way it will be approached its incursion and evolution like gender, later on three pasillos will be selected to serve for the last work of arrangements primary purpose of this work. In a same way the evolution of the academic guitar will be studied, its representatives and also the academic and popular techniques, these tools are indispensable to carry out the arrangements later on with a balance in the academic and popular treatment.
Aetnósferas, actualización de atmósferas étnicas en las prácticas artísticas contemporaneas endo exo
(2010) Baretta Jiménez, Ariadna; Mosquera Vallejo, Julio César
Afectaciones al ecosistema del manglar a través de una propuesta pictórica contemporánea en pro de la conservación y la reflexión social
(Universidad de Cuenca, 2021-06-30) Meza Fuentes, Elsa Johanna; Paredes Navarrete, Manuel Iván
Mangrove ecosystems are one of the most complex, considered as mixed given that both aquatic and terrestrial species coexist within them, the city of Guayaquil In Ecuador was settled and grew at the expense of filling these spaces, therefore the anthropogenic impact has been Considerable, over the years the branches of the Estero Salado have been contaminated both by the people who inhabit its banks and by the industries that discharge substances that are harmful to life. These affectations have been compiled in the creation of a series of contemporary pictorial art works that make up the sample "Mangle", which, when exhibited, makes this little known subject known to society in order for it to reflect and promote conservation. Surveys and interviews conducted during the study show that this is possible because there is a relationship between art and education. The digital exhibition allows a larger number of people to reach, the behance platform has great quality and although it is difficult to calculate and analyze the viewer's opinion, so it is necessary to carry out activities in conjunction with ecological groups.
Alegoría de la globalización en propuesta mural contemporánea, desde la visión de un estado plurinacional e intercultural vulnerable
(Universidad de Cuenca, 2025-03-12) Coronel Ayala, Marco Antonio; Pañora Chacha, Juan Carlos
Globalization is the distinctive phenomenon of the historical times in which we live. The most authentic cultural practices of nations with strong ancestral traditions are particularly affected and even threatened with disappearance, due to their impossibility to compete with the laws of a market that standardizes, unifies, resembles and increasingly deprives the signs of identity. Thus, we proposed to build an allegory of globalization as a contemporary visual proposal for a social awareness of the dangers it represents in a plurinational and intercultural country like Ecuador. The contributed mural work develops a variety of symbols and visual metaphors allusive to the phenomenon, among which stands out the great octopus that represents Globalization, whose tentacles, while interconnecting places, people and cultural practices in the same way that the networks bring us closer even at a distance, squeeze and suffocate them in a clear allusion to the unfair competition that generates an ever widening gap between rich and poor, and that annihilates many of our best traditions. The spectator is thus provoked in search of an aesthetic experience in favor of awareness and the safeguarding of our values, through the practice of a whole culture of resistance in these times.
Alma: trashumante de cuerpos, propuesta plástica
(2002) Vázquez Neira, Paola; Alvarez Serrano, Guido

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