Cine y Audiovisuales-Pregrado

Permanent URI for this collectionhttps://dspace-test.ucuenca.edu.ec/handle/123456789/164

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El idioma del sur, situando al cine latinoamericano
(Universidad de Cuenca, 2021-04-20) Álvarez Ríos, Francisco Xavier; Rodríguez Moscatel, Laura
This work presents a theoretical study about the development process of Latin American cinema starting with the groups of the New Latin American Cinema of the sixties and seventies up to undertake a study of the Newest Latin American Cinema, based on Galo Alfredo Torres’ thesis: “Héroes Menores. Neorrealismo Cotidiano y Cine Latinoamericano Contemporáneo de Entresiglos,” with the goal that it becomes a guide to understand the daily neorealist filmic current and to reach a coherent appropriation of language and narrative to implement it in the development of the footage “Tienda” produced by students of the School of Cinema of the Faculty of Philosophy at the University of Cuenca. Within all this context, we will carry out a study of the Italian Neorealism, current that became a direct influence for Latin American cinemas from the sixties to the present, finding areas of resonance and certain coincidences in several films belonging to these cinematography. Finally, we will do a self-reflexive analysis about the film “Tienda” where we will address its process of narrative and aesthetic appropriation expecting that this footage gets integrated into the daily neorealism.
La estética del realismo maravilloso americano en la puesta en escena del mediometraje Marfova
(Universidad de Cuenca, 2021-06-28) Crespo González, Stalin Andrés; Solano Ortiz, César Augusto
This monograph seeks to study the aesthetics of American marvellous realism, as well as to differentiate the labels of magical realism and the marvellous real and to analyze its aesthetic characteristics through films that use this resource as a proposal for a mise-enscène. The main authors we will take are: Camayd-Freixas with Realismo mágico y primitivismo (1998), Alicia Llarena with Claves para una discusión: El "Realismo mágico" y "Lo real maravilloso americano" (1996) and Irlemar Chiampi with O realismo maravilhoso americano. Forma e Ideologia no Romance Hispano˗Americano (1980) whom give solid arguments regarding magical realism, the Real American Marvellous, and American Marvellous Realism, respectively; likewise a brief review is given on Latin American cinema with respect to such aesthetics with information provided by José María Paz in Escritores de cine. Nuevo cine y nueva narrativa latinoamericana (2000) and by Pedro Aguayo de Hoyos with Alejo Carpentier en el cine latinoamericano (2019); we also study the concept of mise en scène both with El cine y la puesta en escena (2013) by Jacques Aumont, and in the doctoral thesis El regreso de la puesta en escena cinematográfica como concepto teórico en los inicios del siglo XXI (2018), made by Miguel Navarro de Palencia, where he summarizes and compiles several authors and books with respect to Jacques Aumont's term. The methodology with respect to filmic analysis we make use of Seymour Chatman's method History and Discourse. The narrative structure in the novel and in the cinema (1990) that proposes a line of analysis of both form and substance of content, which we apply on three films where the aesthetics of marvellous realism is also treated. This study demonstrates the versatility of marvellous realism as an aesthetic proposal for a mise-en-scène, as well as providing theoretical information on this subject for all Latin American cinema
Realización, exhibición y reflexión teórica del cortometraje Extravío
(Universidad de Cuenca, 2022-10-11) Ayavaca Morocho, Jonnathan Adrián; Vintimilla Andrade, Gianella Adriana; Bermeo Quito, Bryan Patricio; Narváez Narváez, Walter Geovanny
The film´s project Realization, exhibition, and theoretical reflection of the short film Extravío is made up of two components: the production folder and the individual essays by area. The first component contains the production folder that consists of the proposals for direction, photography, sound, art, production, and distribution. Within the second component we find three essays. In the first essay Logistics and diffusion: production model for the film project Extravío, by Jonnathan Ayavaca, the conceptions of logistics, diffusion applied within a production model for a short film, parallel process, are explored. In the second essay Direction of actors: construction of organic characters for the film project Extravío, by Gianella Vintimilla, the alternative of finding interpretive verisimilitude in a short time is exposed with actors who are similar to the character in real life. In the third essay Photographic Direction: visual narration and point of view in the film project Extravío by Bryan Bermeo, the way in which the viewer analyzes and translates a meaning inherent in the cinematographic language that manages the project are interpreted. These essays consist of background, theoretical framework, film analysis and discussion analysis of the proposal and conclusions
Realización, exhibición y reflexión teórica del proyecto. Las flores de la abuela
(Universidad de Cuenca, 2022-11-15) Ullauri Matute, Antonella del Rocio; Cano Moncada, Yusmery Ambar; Calle Veintimilla, Ana Paula; Zumba Campos, Aníbal Alfredo
This film project for the short film "Las Flores de la Abuela" has two components: the production folder and the individual essays by area. The production folder contains all aspects related to the technical and creative part of the audiovisual project. On the one hand, the essay Direction: Interpersonal Relationships and Performance for the project "Las Flores de la Abuela" focuses on the importance of the work environment in the preproduction and production of a short film. On the other hand, Art Direction's essay " Use of color palettes " in the film project "Las Flores de la Abuela" conducted a theoretical study on the use of color palettes in gloomy scenarios. Furthermore, the Direction of Photography's essay "Identity of shots and suspense" for the project "Las Flores de la Abuela" focuses on the investigation of the identity of shots in a film genre. The film genre, in this case, is the suspense genre, obtaining as a result that the cinematographic shots have their audiovisual language to tell a story. In this case, the subjective shot/picture is one of the most distinctive for the suspense-terror genre due to the psychological tension that the viewer feels when watching it since it is the only moment in which he feels part of the film
Realización. Exhibición y reflexión teórica del cortometraje. Una charla con mamá
(Universidad de Cuenca, 2022-11-09) Jimbo Fernández, Renata Camila; Pucha Ortiz, Jessica Viviana; Remache Peñaloza, Roger Josué; Feijóo Sarmiento, Ángel Alejandro
This cinematographic project of the short film Una charla con mamá consists of the realization, exhibition and theoretical reflection of the making of the short film, which has three components: The production folder contains the documents belonging to all the previous production work for the making of the short film Una charla con mamá Individual essays first: Direction: construction of a dramatic universe through the sociological dimension for the project Una charla con mamá , which aims to create a theory for the composition of a believable dramatic universe, exclusively in short films, feature films, through the leading character and his perception at a sociological level; second Art Direction: Historical setting of the year 2006 for the project Una charla con mamá , its general objective is to transplant the setting of the year 2006, through costumes, set design and use of characteristic objects of the time within the short film; third: Sound: Direct sound recording techniques applied in the project Una charla con mamá ; which aims to create and expose an efficient method of capturing and post-production of appropriate sound in student or low-budget projects, to improve the quality of said audiovisual products. By area and the short film. Finally, the short film that supports and verifies what is stated in the text

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