Cine y Audiovisuales-Pregrado
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Item Realización, exhibición y reflexión teórica del cortometraje Floky & yo(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-11-19) Ortiz Lopez, Greys Rosangelica; Moscoso Navarro, Mariangelis Patricia; Brito Barros, Geovanny Fernando; Orellana Zambrano, Paulo Gabriel; Carrasco Vintimilla, Rafael AntonioOur graduation thesis, entitled "Making, Showing, and Theoretical Reflectiononthe Short Film Floky & yo," includes a theoretical and practical section. Thisdocument includes the short film itself, the production folder withall itscomponents, and finally, the essays titled: "Creative Production in the Pre-, Pro-, and Post-Production Stages of the Short Film Floky & Yo," by GreysRosángelica Ortiz Lopéz; "Acting Direction and Down Syndrome in the Short FilmFloky & Yo," by Mariangelis Patricia Moscoso Navarro; "Visual Narrative, Composition, and Color in the Coming-of-Age Story Floky & Yo," by GeovannyFernando Brito Barros; and "Animation and Realistic Visual Effects intheComing-of-Age Story Floky & Yo," by Paulo Gabriel Orellana Zambrano. Eachessay/treatment contains the elements indicated in the evaluation rubric.Item Realización, exhibición y reflexión teórica del cortometraje Legado(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-11-18) Rivera Mora, Cristopher Gustavo; Alarcón Sánchez, Paulo Amggelo; Pichasaca Guamán, Geovanny Rafael; Jiménez Romero, Luis Alfredo; Jiménez Jiménez, Gonzalo Gonzalo; Salcedo Martínez, Ricardo MauricioOur graduation project, titled Production, Exhibition, and Theoretical Reflection on the Short Film Legado, consists of both a theoretical and a practical component. Included in this document are: the short film itself, the full production folder with all its elements, and the following individual essays: “Silence as a Dramatic Tool in the Short Film Legado” by Cristopher Gustavo Rivera Mora; “Performance and Male Vulnerability in the Protagonist of the Short Film Legado” by Paulo Amggelo Alarcón Sánchez; “Silence in the Sound Design of the Short Film Legado” by Geovanny Rafael Pichasaca Guaman; and “Tonal Editing, Rhythmic Editing, and Drama in the Short Film Legado” by Luis Alfredo Jiménez Romero. Each essay or treatment includes the components required by the evaluation rubric.Item Realización, exhibición y reflexión teórica del cortometraje La edad del luto(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-11-18) Tacuri Paredes, Daniela Dayanara; Landi Fajardo, Gustavo Enrique; Galarza Neira, María TeresaOur graduation tesis entitled Realización, exhibición y reflexión teórica del cortometraje La edad del luto, includes a theorical and practical section. In other words, in this document we include the next: the shortfilm, the production folder with all its components and, finally, the essays titled: “Documental de autor y material de archivo en el cortometraje La edad del luto”, by Daniela Dayanara Tacuri Paredes; and “Estética home movie en el cortometraje La edad del luto”, by Gustavo Enrique Landi Fajardo. Each essay contains the treatments indicated in the evaluation rubric.Item Realización, exhibición y reflexión teórica del cortometraje Hip-Pop(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-11-14) Zhingri Alvarado, Juan Daniel; Villa Marin, Marco Fabrizio; Ospina Bayanis, María Teresa; Galarza Neira, María TeresaOur graduation thesis entitled Production, Exhibition, and Theoretical Reflection on the Hip- Pop Short Film, includes a theoretical and practical section. This document includes the following: the short film itself, the production folder with all its components, and finally, the essays titled: "Dance as a Narrative Tool in Commercial Cinema Applied to the Short Film Hip- Pop," by Juan Daniel Zhingri Alvarado; "Composition and Camera in the Hip-Pop Musical Short Film," by Marco Fabrizio Villa Marin; and "Sound Design and Audition Point in the Hip- Pop Musical Fiction Short Film," by María Teresa Ospina Banyanis. Each essay/treatment contains the elements indicated in the evaluation rubric.Item Realización, exhibición y reflexión teórica del cortometraje Cajita de sorpresas(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-11-11) Vargas Palango, Amanda Salomé; Brito Carmona, Mayra Belén; Sarmiento Pazmay, Geovanny Alexander; Narváez Patiño, Mariuxi Janneth; Andrade Polo, Pedro Gustavo; Jiménez Jiménez, Gonzalo GonzaloOur thesis project, “Realization, Exhibition, and Theoretical Reflection of the Short Film Cajita de Sorpresas”, combines theoretical and practical elements. This document includes the short film it self, the complete production binder, and four accompanying essays: "Bordwell and Thompson's Production Theory in the Making of the Short Film Cajita de Sorpresas" by Amanda Salomé Vargas Palango; "Visual Metaphors in the Direction of the Short Film Cajita de Sorpresas" by Mayra Belén Brito Carmona; "Chiaroscuro and Naturalistic Lighting in the Short Film Cajita de Sorpresas" by Geovanny Alexander Sarmiento Pazmay; and "Art and Objects for Creating Metaphors in the Short Film Cajita de Sorpresas." Each essay adheres to the elements outlined in the evaluation rubric.Item Realización, exhibición y reflexión teórica del cortometraje SAMANTA(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-10-31) Patiño Rogel, Anthony Ariel; Alvarracin Sucozhañay, Fabiana Camila; Duran Yunga, Ruben Andres; Chacho Reyes, Diego Fernando; Llerena Encalada, Paula Estafenia; Andrade Polo, Pedro GustavoOur graduation project, titled Production, Exhibition, and Theoretical Reflection of the Short Film SAMANTA, includes both a theoretical and a practical component. In other words, this document includes: the short film, the production folder with all its components, and finally, the essays titled: “Financing and Distribution Strategies for the Short Film SAMANTA”, by Anthony Ariel Patiño Rogel; “Minimalism and Contemplation in the Direction of the Short Film SAMANTA”, by Fabiana Camila Alvarracin Sucozhañay; “Contemplative Shots and Subjective Shots in the Short Film SAMANTA”, by Ruben Andres Duran Yunga; and “Intellectual Montage and the Kuleshov Effect to Convey Emotions in the Fiction Short Film SAMANTA”, by Diego Fernando Chacho Reyes. Each essay/treatment contains the elements indicated in the evaluation rubric.Item Realización, exhibición y reflexión teórica del cortometraje Entrecruces y Cruzados(Universidad de Cuenca. Facultad de Filosofía, Letras y Ciencias de la Educación, 2025-11-11) Triviño Zambrano, Erika Ibeth; Mocha Rosales, Andrés Santiago; Cale Aucancela, Brian Xavier; Morales Pinos, Nicolás Andrés; Torres Palchisaca, Galo AlfredoOur thesis, entitled "Production, Exhibition, and Theoretical Reflection on the Short Film Entrecruces y Cruzados," consists of a theoretical and a practical section. This document includes the short film itself, the production folder with all its components, and finally, the essays titled: "Creative Production and Production Design in the Black Comedy of the Short Film Entrecruces y Cruzados" by Erika Ibeth Triviño Zambrano; "Direction of Gags and Black Humor in the Fiction Short Film Entrecruces y Cruzados" by Andrés Santiago Mocha Rosales; "Comedy and Scenographic Characterization in the Short Film Entrecruces y Cruzados" by Brian Xavier Cale Aucancela; and "Types of Editing and Black Comedy in the Short Film Entrecruces y Cruzados" by Nicolás Andrés Morales Pinos. Each essay contains the elements indicated in the evaluation rubric.Item Creación de videos en formato Vertical y su impacto como nueva tendencia del marketing digital, aplicado a productos y servicios de la Empresa Lensun(Universidad de Cuenca, 2025-07-04) Quezada Chitacapa, Zandi Fabián; Salcedo Martínez, Ricardo MauricioVertical videos generate a higher attention rate than horizontal videos on mobile devices. Users are more willing to engage with videos in vertical format because they can view them more comfortably and naturally on their mobile devices. The vertical format also presents unique marketing opportunities for companies and brands looking to reach consumers. By creating video content in vertical format, businesses can reach a broader audience and increase their engagement with consumers online. That is why the research aims to create a video in Vertical format and its impact as a new trend in digital marketing, applied to products and services of the Lensun Company, for this an exploratory research was carried out using a mixed theoretical methodology - practice. A bibliographic review was carried out to collect information on video consumption on mobile devices, the vertical format and its relationship with digital marketing. For which it was concluded that the main contribution of this thesis to the audiovisual world lies in the validation and exhaustive analysis of the vertical format as an effective tool in the digital marketing strategy. This work not only supports the use of the vertical format, but also provides a detailed methodology for its implementation in advertising campaigns. The results obtained during the Lensun campaign show a significant increase in the visibility and engagement of the brand, demonstrating that the vertical format can be a preferred option in the design of audiovisual content for mobile devices.Item Cine poético: comparaciones y metáforas audiovisuales en El lado oscuro del corazón (1992), de Eliseo Subiela(Univesidad de Cuenca, 2025-03-27) Barriga Gómez, Christian Eduardo; Torres Palchisaca, Galo AlfredoThis research aims to address the topic of poetry in an audiovisual way, for which the film has been selected El lado oscuro del corazón (1992) by Eliseo Subiela, with a specific focus on the use of rhetorical figures such as comparisons and metaphors, due to the interest related to the use of figurative sense in cinema, with the literary contribution we have authors such as José Luis García with his book Las figuras retóricas (2007), Graciela Gonzáles as well as his studies based on the Identification of rhetorical figures in the film Paprika by director Satoshi Kon (2021) and Juan Gómez with the text La poética del pop: los recursos retóricos en las letras del pop español (2004). In addition, in the studies of images and sounds in the figurative sense we have philosophers and experts of cinematographic language such as: Gilles Deleuze with his book Estudios de la imagen-tiempo 2 (1985), and Marcel Martín with his book El lenguaje del cine (2008). The authors first share the theoretical part and then, an audiovisual perspective. In order to achieve the proposed objectives, we believe that the optimal qualitative methodology for reflection work is research on the arts, which have the purposes of criticism and theorization (Hernández, Hernández, 2006). This project of theoretical reflection aims to contribute to studies on audiovisual poetry, and specifically on the figures of comparison and metaphor.Item Relevancia y aporte de los diálogos a la verosimilitud de la obra cinematográfica y su aplicación al guión en desarrollo “la campaña”(Universidad de Cuenca, 2025-01-07) Aguilar Feijóo, Juan Diego; Gonzalo Jiménez, GonzaloThis paper aims to give the dialogue the importance of the development of the script. If in some countries there is a profession of dialogue writer, we must find a process for the elaboration of realistic, plausible or credible dialogue. We will analyze the different perspectives of authors about the dialogue and compile their suggestions to find the functions and elements of the good dialogue. No mather the value that each director gives to the dialogue, this monograph contains key facts for the elaboration of an audiovisual project, from the writing to the scene set. The suggestions and conclusions will apply to some scenes of the script La Campaña.Item Las variaciones lingüísticas como herramienta dramática aplicadas a la construcción de un guion cinematográfico(Universidad de Cuenca, 2025-01-07) Villalba Valencia, Jhonatan Vladimir; Gonzalo Jiménez, GonzaloThis research aims to analyze certain dialogues from a film script, beyond the communicative aspect between characters, to understand the extent to which these dialogues describe and position the characters and their identities. Additionally, this study seeks to serve as a question generator for Ecuadorian screenwriters regarding the updating of resources in their future works. The theoretical framework of this proposal, supported by theorists such as José del Valle and Manuel Alvar in their work on linguistics and David Bordwell and José Luis García on film aesthetics, includes concepts of social and geographical linguistic variations to analyze how they significantly influence the worldview of an Ecuadorian audience in the creation of a film script. The methods will include content analysis, specifically applied to selected dialogues from the film Ratas, ratones, rateros by Ecuadorian filmmaker Sebastián Cordero (1999), and an interview with the director. For the analysis of selected dialogues, the Hymes method, created by sociolinguist Dell Hymes, will be used as a fundamental tool to analyze language use in specific contexts. The research question is: How do the dialogues of the different characters in the film Ratas, ratones, rateros add dramatic value to its creation? Based on this, the research will include a literature review, film analysis, and the application of the findings to the proposed script.Item Realización, exhibición y reflexión teórico del cortometraje Hatun tayta ñan(Universidad de Cuenca, 2024-10-14) Lozano Chalán, Amawta Jatari; Patiño Ortega, Paula Nicole; Guayllas Tacuri, Juan Stalin; Torres Palchisaca, Galo AlfredoOur graduation project titled Production, Exhibition, and Theoretical Reflection of the Short Film Hatun Tayta Ñan includes a theoretical part and a practical part. Therefore, this document includes: the short film, the production folder with all its components such as logline, synopsis, concept art, characters, production proposal, director proposal, director of photography proposal, director of photography proposal, sound proposal, art direction proposal, permits and authorizations, timeline, budget, script breakdown in production, equipment list, art breakdown, crew, script, and finally, the reflective essays: "Indigenous Cinema and Ancestral Knowledge in the Short Film Hatun Tayta Ñan", by Amawta Jatari Lozano Chalán; "Ethnic and Visual Identity of Saraguro Culture in the Art Direction of the Short Film Hatun Tayta Ñan" , by Paula Nicole Patiño Ortega; and, "Relationship of the producer with the departments in the production of the short film Hatun Tayta Ñan”, by Juan Stalin Guayllas Tacuri.Item Realización, exhibición y reflexión teórica del cortometraje Las notas del silencio(Universidad de Cuenca, 2024-10-08) Moncada Cabrera, Quilmer Steven; Rodríguez Duchimaza, Danny Damian; Valencia Zhigui, Mayerly Escarleth; Gonzalo Jiménez, GonzaloIn the film project entitled Realization, exhibition and theoretical reflection of the short film Las notas del silencio, three arguments are presented: the short film, the production folder and, finally, the three individual essays corresponding to each technical area of the project. The production folder is composed of the structure of the organization and planning of the audiovisual work, likewise, all the essays are related to the practice of the short film. The research method that guides the creation of the short film is known as research/creation or artistic practice based on the methodology of Hernández Hernández (2006). The main objective of this essay is to explore the embodiment process and the development of musical sensitivity, through the composition of the creative process of each area. It is highlighted that the technical and creative concepts applied to the work are through the direction, production and sound design.Item Realización, exhibición y reflexión teórica del cortometraje Todo volverá a ser como fue(Universidad de Cuenca, 2024-09-30) Peña Fernández, Sofía Salomé; Torres Arévalo, Angel Josue; Bermeo Castillo, Cristhian Alejandro; Cambi Alvarado, Dorian MartinOur graduation project titled Realización, exhibición y reflexión teórica del cortometraje Todo volverá a ser como fue includes both a theoretical and a practical component. Therefore, this document includes: the short film, the production folder with all its documents, and finally, the reflective essays: “Disposición actoral y su protagonismo en la puesta en escena del corto Todo volverá a ser como fue”, by Sofía Salomé Peña Fernández; “La cámara-cuerpo como praxis filmante del fotógrafo a través del steadicam en el cortometraje Todo volverá a ser como fue”, by Angel Josue Torres Arevalo; and “Discontinuidad y montaje expresivo en el cortometraje Todo volverá a ser como fue", by Cristhian Alejandro Bermeo Castillo.Item Realización, exhibición y reflexión teórica del cortometraje Las cosas que no te dije(Universidad de Cuenca, 2024-09-27) Loja Tacuri, Xiomara Nicole; Mera Moya, Alex Edgar; Rubio Carrera, Diego Antonio; Narváez Narváez, Walter GeovannyIn the film project entitled "Realization, exhibition and theoretical reflection of the short film Las cosas que no te dije" contains three components: the short film, the production folder and the three individual essays of each technical-creative area, namely: "Aesthetics of the coming of age in the direction of the short film Las cosas que no te dije" by Xiomara Loja; "Symbolic objects and characterization in the art of the short film Las cosas que no te dije", by Alex Mera; and "Editing, inserts and character development in the coming of age Las cosas que no te dije", by Diego Rubio. This short film in a coming of age format tells the story of a grieving teenager, who will have to complete a to-do list to overcome the death of her best friend. The realization of this project is articulated by the method of research/creation or artistic practice (Hernández Hernández, 2006).Item Afroecuatorianos y deporte en tres documentales ecuatorianos(Universidad de Cuenca, 2024-04-03) Maldonado Pesántez, Giselle Nicole; Gonzalo Jiménez, GonzaloThis research is based on the following question: How are Ecuadorian documentary film, sports and the presence of Afro-Ecuadorians related? In this study, we seek to understand the relationship between those documentary films that have sports (boxing and soccer) as their central axis, and the presence of Afro-Ecuadorian characters, through the narrative, visual and sound resources of cinema, as well as the media. that Ecuadorian filmmakers use to create these documentaries. The documentaries that will be analyzed are: La Tola Box (2014), by Pável Quevedo Ullauri; Next Round (2018), by Ernesto Yitux and Valeria Suárez Rovello; and Alberto Spencer, Ecuadorian from Peñarol (2014), by Paúl Venegas and Nelson Scartaccini, because these are documentaries that have been made by and with Ecuadorians, because they consider the themes that are connected, such as sports, with documentary-type narratives. This work follows the methodology of research on the arts, which refers to the set of approaches, techniques and procedures that researchers in this field use to carry out studies and analyzes in the field of the arts. Finally, as a result of this research, it is expected to make a contribution to the theoretical debates on documentary film, an integral part of the world and film theory over time. These debates focus on fundamental questions related to the nature, purpose and aesthetics of documentary film. Likewise, about the presence of Afro-descendants in Ecuadorian films.Item Cercanías y distancias entre el videoarte y el cine experimental en la obra de Miguel Alvear(Universidad de Cuenca, 2024-02-08) Castro Santander, Paulo Renato; Torres Palchisaca, Galo AlfredoThis research examines the proximity and distance between video art and experimental cinema in the work of Miguel Alvear, for this purpose it aims to define and explain the characteristics of both genres to analyze the cinematographic and artistic work of the Ecuadorian filmmaker Miguel Alvear. In order to achieve our objectives in this research, we use the methodology which corresponds to the methodological paradigm of the arts, by Hernández Hernández (2006); It is the most propitious methodology to develop reflection works with theoretical or critical motives. The theoretical framework that forms the basis of our research is based on works that contemplate film and video from an experimental point of view, such as Baigorri (2004); Benavides (2010); del Portillo and Caballero (2014); Massara, Sabeckis, and Vallazza (2018); and Smarandache (2019). It is possible to compose a comparative scheme to target: Amina mar (1989), Camal (2000), Blak Mama (2008) and Wir konnen es (2008-2009). This comparison helps us understand that, currently, in the era of digital media, both experimental cinema and video art depend on various factors, such as the places of projection, their presence in the media, their relationship with other arts (even those within the same branch), the temporality of the work at an intra- and extra-diegetic level, and finally, the intention of the authorItem Iluminación, cromática y composición fotográfica en el cine histórico ecuatoriano: Don Eloy (1981), y 1809 – 1810 Mientras llega el día (2004), de Camilo Luzuriaga(Universidad de Cuenca, 2023-11-09) Manzano Barrionuevo, Alexis Alberto; Narváez Narváez, Walter Geovannyhis research aims to improve the understanding of concepts related to lighting, chromatic and photographic composition in the genre of history or period drama, examining them as tools that help the viewer with perception and temporal location and then applying them in the analysis of two significant Ecuadorian works in this genre, Don Eloy (1981) and 1809 – 1810 mientras llega el día (2004) by Camilo Luzuriaga. For this study we will be guided by the concepts presented in Cinematographic Production Manual (2004) by Carlos Vega Escalante, Light in the Cinema (2005) by Jacques Loiseleux, Cinema and History (2008) by Tomás Valero Martinez, and Chromatic Cinema (2010) by Richard Misek. We find it convenient to base ourselves on the research methodology on the arts proposed by Hernández, F. in his book Fields, themes and methodologies for research related to the arts. Bases for a debate on research (2006). It is our intention that this research will make a significant contribution to the theory and practice of Ecuadorian cinema in the history genre or period drama.Item Color, psicología del color y etalonaje digital en la narrativa de En el nombre de la hija (2011) de Tania Hermida, y Alba (2016) de Ana Cristina Barragán(Universidad de Cuenca, 2023-10-31) Pacheco Pacheco, José Alejandro; Torres Palchisaca, Galo Alfredohis research proposes to analyze and substantiate the principles of color, the psychology of color and digital grading to analyze the chromatics of En el nombre de la hija (2011) by Tania Hermida, and Alba (2016) by Ana Cristina Barragán. For this analysis we must generate a conceptual basis on the analysis variables. To do this, we will take Johannes Itten with his book Art de la couleur (1961) as theoretical references, who familiarizes us with the fundamental problems of color. We will also review the w ork of Eva Heller in her book Color Psychology: how colors act on feelings and reason (2004), in which we will observe the cognitive impact of color on people. Finally, we will explore the results obtained by Lucia Tello in her article: Influence of chromaticism on film aesthetics: color grading and visual evolution through digital technology (2018). In order to achieve the proposed objectives, we believe that the optimal qualitative methodology for reflective work is research on the arts for critical and theorizing purposes (Hernández Hernández, 2006). This monographic project aims to contribute to university studies for those students who are looking for an academic reference on color in cinema, digital color grading and color psychology.Item Realización, exhibición y reflexión teórica del cortometraje Kuruchupa Punk(Universidad de Cuenca, 2023-10-10) Quezada Quezada, Juan Fernando; Patiño Yumbo, Juan Diego; Wambanguito Shariano, Allessa Altair; Galarza Neira, María TeresaThe film project entitled Production, Exhibition and Theoretical Reflection of the short film Kuruchupa Punk has three components: the short film, the production folder and the three individual essays corresponding to each technical area of those who graduate with the project. Regarding the content of the production folder, it contains all the elements used for the build in the film. All essays have been prepared for a practical application in the elaboration of the short film. The research method that articulates the making of this short film is research/creation, namely, based on artistic practice (Hernández Hernández, 2006). The central target of the project has been the creation of a new cinematographic reality/truth based on falsehood and parody, so it gives a new concept to the called “documentary” and establishes itself as a mockumentary, solidifying its foundations through the aesthetic construction, nourished by the visual approach in its cinematographic language and by the production design.