Browsing by Author "Novillo Alulema, Walter Vinicio"

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Análisi armónico formal y semiótico de cinco obras del compositor Cuencano, Arturo Vanegas Vega
(2013) Prado Ortiz, Sonia Marlene; Novillo Alulema, Walter Vinicio
The approached main objective of the thematic one constitutes a contribution to safeguard, to know and to maintain the musical creation of three big composers cuencanos in effect “backs”: Arturo Vanegas Vega, Rafael Carpio Abbot and Carlos Ortíz Cobos, that which by means of a harmonic-formal analysis, semiótico and comparative we have been able to determine and to elucidate the elements, characteristic and influences used in their prolífera musical production, which exhibit an elegance stylized with constituent elements of the Ecuadorian musical folclor, fused with styles and technical academic of the nationalist current. Likewise we can find the digitization in you die him of the composer's 20 more grateful works Arturo Vanegas Vega, becoming a meant rampart of the Ecuadorian academic-popular musical repertoire.
Análisis estructural y técnico vocal aplicado a la interpretación de dos temas para soprano del musical West Side Story del autor Leonard Bernstein
(Universidad de Cuenca, 2023-03-20) Loor Vicuña, Lucy Andrea; Novillo Alulema, Walter Vinicio
This project is entitled "Structural and technical vocal analysis applied to the interpretation of two songs directly for a soprano voice from the musical West Side Story by composer Leonard Bernstein". The principal objective is to develop a detailed study of each of the topics that can help interpretation. This project seeks to define different ways that facilitate the appropriation of the chosen character, with the following relevant sections: the history of the genre "Musical", a brief summary of the work "West Side Story", the study of the structure of the songs, the identity of the character to be interpreted and the proposal to address each of the issues. The basic aspects works’ formal analysis, their structure, parameters, expressive means, emotional planes and technical tips considered necessary to facilitate a good staging will be studied. We will start from the study of the evolution of the "Musical" genre with the intention of knowing the bases that determined its style; its beginnings and its miscegenation when traveling through different cultures. With the knowledge of the history, the study of the different works and the study of each of the characters, we will be able to fulfill ourselves with the ideas of the composer to initiate the appropriation. Specifically in this work our character is "María" and what we will seek is to know how her identity, the way in which she expresses and transmits her emotions has a well-founded basis in the musical structure.
Aplicación musical del minimalismo como elemento conceptual en ritmos ecuatorianos: Capishca, Sanjuanito, Yumbo
(2012) Pacheco Astudillo, Andrei; Novillo Alulema, Walter Vinicio
Composición de una canción de rock para formato de batería, bajo, guitarra y voz, basado en la estructura melódico armónica de soda stereo y the strokes
(2017) Moreno Mora, Luis Alfonso; Novillo Alulema, Walter Vinicio
Music, and all cultural expressions, are exposed to modifications and appropriations of external elements, rock does not escape this tendency, hence this work intends to make a composition of a rock song for format of drums, bass, guitars and Voice, based on the melodic-harmonic structure of Soda Stereo and The Strokes. To this end, a preliminary study of the history of rock music and its relations with the sciences has been carried out, as well as the mergers, mixtures and hybridizations contained throughout its development in time. The musical production and its processes have had an important section in this study, introducing a whole array of new technologies applied to the world of music. The stages of musical production, ie composition, recording, mixing and mastering were carefully studied. The study was reaffirmed by deepening the musical elements such as rhythm, harmony, melody and time. The songs chosen from the groups to be taken as a reference and then to form the song that serves as the basis for this work, were analyzed from its structure to its harmonic progression, to give way to the creation of the new musical work. This musical study consists of three chapters in which the previously mentioned content is distributed. The conclusions and recommendations provide an overview of what has been done and what can be done with studies like this.
Concierto con ensamble de percusión. La versatilidad de los instrumentos de percusión sinfónica en la interpretación de géneros musicales, rock y concierto sinfónico
(2016-09-27) Vallejo Yépez, Cristian Esteban; Novillo Alulema, Walter Vinicio
The different families of musical instruments have several characteristics in sound timbre , color, dynamic, musical performance among others. On this occasion it has been necessary to use various percussion instruments idiófonos as membranophones in forming an assembly with a view to the interpretation of a concert. When working on the adaptation of mainstream symphonic percussion instruments in interpreting rock, new sounds and orchestral resources in these instruments is sought . Here , we demonstrate the similarity in the work of both the concert timpani as in the works of rock, since in both cases it seeks to use new sounds in the percussion expanding the music it performs in symphonic percussion, as well as the opportunity to show that genres are variable and malleable in their music in general parameters. The research sought to investigate priority basis the most important aspects of each of the works selected for this descriptive analysis techniques gave a profitable way that allowed to build the theme in the search for the definition of basic elements, general superfluous, malleable and forced. It is necessary to indicate that the work of the composer Ney Rosauro, Concerto for Timpani and Wind Orchestra, is one of the operational and teaching for the realization of this work matrices therefore Rosauro successfully manufactured a musical hybrid where the versatility of the timbales symphonic were shown on participation as an instrument melodic, rhythmic soloist in a concert with orchestra. The second stage was to make arrangements selected topics for percussion ensemble, the same that were displayed for a concert performance. At this stage it was broken in a timely manner the multiple compositional, technical and artistic aspects considered to mold making has to be changed to enrich the new sound proposals on the following topics: You Shook Me All Night Long 1980, ACDC; Livin’ on a Prayer 1986, Bon Jovi; Tom Sawyer 1981, Rush; Eye Of The Tiger 1982, Survivor; The Final Countdown 1986, Europe; Master of Puppets 1986, Metallica.
Concierto de arreglos inéditos de sanjuanitos ecuatorianos
(2016) Ortega Barros, Jorge Alfredo; Novillo Alulema, Walter Vinicio
The present thesis entitled “Concierto de arreglos inéditos de Sanjuanitos Ecuatorianos” develop the arrangement process of ten selected works in sanjuanito rhythm, using music elements such as traditional, escolastic, and of performance, all of them related to the jazz It develops three important stages studying the sanjuanito rhythm in explicative and graphic ways. Also it studies the music and interpretative materials, in the creative process of the arrangements until the music is notated for the final concert. The first stage is mostly dedicated to the traditional Sanjuanito. In this section ten sanjuanito works have been selected from the interpretation from the Saltos´ brothers, called “Los Gatos”, and musicians who have accompanied them in many phonographic registers. The thesis develops graphic material. It explains the woks previously selected in terms of melody, rhythm and harmony related to the mathematics using a Cartesian axis. This graphic material uses the tempo and sound heights to obtain graphics that represents compositional designs. The second stage describes the elements most used in the jazz genre, its melodic, harmonic, and rhythm sources, through the analysis of two selected works taken of the Real Book. All the previously material in this genre will use in the arrangements. The third stage describes the creative process. It studies through an analysis of important sections of the scores in the arrangements, explaining the harmonic, melodic, and rhythmic contributions that will use in the selected works. All the arrangements will premiered in a concert of one hour long.
Concierto de violín y análisis, estructural y semiótico de la obra: concierto no. 22 op. 22 de Henryk Wieniawski para el recital de grado de violín 2015
(2015) Cevallos Ordoñez, Jhomayra Elizabeth; Novillo Alulema, Walter Vinicio
This present research explains the historic, structural and semiotic analysis about the Concert no.2 op. 22 in d minor by Henryk Wieniawski. It also represents the theoretical basis of the interpretative proposal on which the performance will be developed. From an artistic vision, the creative musical process developed at the time of the performance, because in the temporal space is impossible to caught, hold the sounds, emotions or the music; however this study offers a technical guide of the theoretical knowledge that reveal a re-interpretation from a personal view. Additionally, according to the results of this investigation arises a relation between the compositional scheme of Henryk Wieniawski and a revolutionary physics theory, The Strings Theory. The Music and Physics are closely related, and it´s not strange that a theory like this could transcend from an area of study to another.
Grabación y postproducción del sencillo musical inédito “Susurros” en el género tradicional pasillo
(Universidad de Cuenca, 2024-03-06) Narváez Arias, Denisse Andrea; Novillo Alulema, Walter Vinicio
This project is dedicated to the development of a comprehensive theoretical and practical guide focused on the essential processes involved in producing professional music within the Ecuadorian pasillo genre. The theoretical framework extensively explores the foundational principles of music production, encompassing the proficient utilization of recording, editing, and mixing technologies and tools. The examination includes various facets such as instrument and vocal recording techniques, meticulous microphone selection and placement, and the implementation of acoustic conditioning strategies within the audio capture environment. Additionally, it delves into intricate concepts related to mixing and mastering, emphasizing aspects like frequency equilibrium, specialization, and dynamic control, all with the ultimate goal of achieving a sophisticated, high-quality final mix. The project also investigates advanced techniques, including the creative application of effects to amplify the expressiveness and emotional impact of the musical theme. Practical implementation forms a critical component of this work, where the distinct phases required for the production of a musical piece are demonstrated, utilizing the original composition "Whispers" as the central focus. To complement this specific section, detailed logs are employed, outlining the diverse tools utilized in the recording process, specific values applied during audio mixing and mastering, and the proposal of an organizational system for the composition and preproduction phases.
Homo machine: obra musical para percusión, electroacústica y acciones físico dramáticas del intérprete
(2017-05-09) Moscoso Hurtado, Roberto Carlos; Novillo Alulema, Walter Vinicio
This work approaches modern thought and the effect that it has on music education, the cultural industry, and sound itself. By proposing a piece for percussion and tape, it intends to establish a dialogue between technology and the cultural baggage of the sonority of our region, linking its myths with the new aesthetic tendencies of music composition. It presents an analytic approach to the piece that is based in strategies for composition with new technologies.
Interpretación y análisis de música vocal
(Universidad de Cuenca. Facultad de Artes, 2009-11-11) Novillo Alulema, Walter Vinicio; Tamazov, Aleksandr
Música, jazz y deconstrucción: reinterpretación del albazo, danzante y yaraví tradicionales aplicados al jazz
(2012) Encalada Astudillo, Esteban Oswaldo; Wazhima Monne, José Arnau; Novillo Alulema, Walter Vinicio
El nacionalismo a través del lenguaje musical del compositor ecuatoriano Leonardo Cárdenas Palacios. Análisis estilístico y compositivo de la Suite N° 1
(2017-04-11) Ortega Cedillo, Nelson Darío; Novillo Alulema, Walter Vinicio
The present work, Nationalism through the musical language of the Ecuadorian composer Leonardo Cardenas. Stylistic and compositional analysis of Suite Nº 1, deals with the stylistic and compositional study of four composite movements, which are composed with Ecuadorian music rhythms: danzante, sanjuanito, aire tipico and bomba. In this respect, the analysis of the musical elements that compose the work is delimited, which are: melodic, rhythmic, harmonic and morphological. The study of this work deals with the analysis of pre - Hispanic, Hispanic and Ecuadorian national music, where the main musical characteristics are pointed out, which as guidelines are used to understand the processes of acculturation and cultural recombination. In addition, the results of the above analysis are used to compare and determine musical nationalism in the work of Leonardo Cardenas.
Pedagogía de la voz: guía didáctica para la selección de voces, solistas, coro y géneros vocales
(2015) Lucero Gushñay, Johanna Alexandra; Novillo Alulema, Walter Vinicio
Singing is one of the branches most studied in the world of music, which is why, having a high demand, many people want to sing either solo, in chorus or enter other popular genres, unfortunately in our country there is no type of evaluation, neither a preparation to choose voices and to say the selection process; therefore there is a need to show a number of patterns that can serve and be used to select singers in various fields and genres, through a tutorial, using teaching methods applied to singing as well as cultural practices, development and voice processing at different ages and the techniques used by the masters and pedagogues of this art, which are certainly a guide to this process
Radiodifusión de artistas locales: repercusiones estéticas en la creación de música inédita en la ciudad de Cuenca
(2011) Novillo Alulema, Walter Vinicio; Suárez Moreno, Cecilia María del Carmen
Técnicas de canto gutural a través de cinco canciones
(Universidad de Cuenca, 2024-04-23) Muñoz Ullauri, William Santiago; Novillo Alulema, Walter Vinicio
The object of study of this project is related to the various techniques used in guttural singing. The proposed objectives were the investigation of information concerning guttural singing and its main representatives, the vocal analysis of the reference themes and the development and compilation of technical tools for the execution of guttural singing. The research techniques used were the bibliographic review and the vocal technical analysis, for the development and description of the guttural singing techniques. The main results of the work include a theoretical base of guttural singing based on the melodic movement of the reference themes and a detailed description of the guttural singing techniques for its execution. In this work, it can be concluded that by using guttural singing techniques correctly, a performance can be developed that does not infringe upon the singer