Exploración del concepto jerarquía del tronco y las herramientas de las dimensiones del movimiento; rotación, inclinación y traslación de Étienne Decroux como medio de indagación en la corporalidad de un personaje. Estudio de caso de la obra “La vida nos tiene sin rostro”

Abstract

This research will explore the concept of the hierarchy of the trunk of the author Étienne Decroux and his tools of the dimensions of movements as a means of practice and inquiry into the corporeality of the character in the case study of the play “La vida nos tiene sin rostro” (Life has no face). It is proposed through the tools: rotation, inclination, translation to adapt the body in relation to the space and its movement to achieve the creation of a specific body sequence of the character in the development of the play. For this, unit one will analyze in depth the author Étienne Decroux in his concept of the hierarchy of the trunk and his tools of the dimensions of movement, and will also rely on concepts of the authors who have contributed in the field of the work of the body as a means of creation as in the case of Jacques Lecoq. Until two will show the application and use of the concepts through practice in the research-creation of the play “life has no face” telling how the process was, from the use of Decroux´s tools to improve the movement in the scene and how this search is related to the corporeality of the character at the time of giving it a psychological, spatial and gestural characterization.