El objeto papel como medio de exploración para la creación del personaje Blanco de la obra Territorio Frágil

Abstract

The following work analyses the character making process in the play Territorio Frágil, based on the usage of an Object and its possibilities on stage by means of movement. This process is grounded in some principles such as: Overturning, Balance, and Omission, besides a pre-stage training built on the Axis Syllabus technique and Creation as Network for the play’s making of. These implement’s goals were useful for knowing the interpreter’s quality of movement, as well as making other movement possibilities in accordance with the Object, plus what it caused in her feelings. As a result, a unipersonal play called Territorio Frágil, which shows the character Blanco inside a dreamlike space, exploring her emotions in an apparently closed and unknown place is obtained.