Caracterización sonora de ambientes cinematográficos reales aplicados al documental “El pequeño cuartel”

Abstract

This monography studies the possible strategies that a sound engineer can apply during the design of a sound proposal for a cinematographic space through theoretical analysis of films and sound engineers such as Michael Chion (1997), Laurent Jullier (2007), Jorge Velasco (2008) among others. For this reason, the study reflects on the characterization of real spaces that can acquire a life on their own to apply it to documentary short film El pequeño cuartel, in such way that the house to be searched becomes a character within the story. This study uses a qualitative methodology of investigation/creation to Hernández Hernández (2015). On the other hand, we generate the methodology of analysis of the sound of referential films from a table created with the sound elements according to Murch (2010) and the characterization scheme of Galán (2007) to obtain a character characterization model (cinematographic space) based on sound elements. In this way, the methodology used is applied to films Nostalgia (1983), by Andrei Tarkovsky, Tren de sombras (2014) by Jose Luis Guerin, and the Ecuadorian documentary La bisabuela tiene Alzheimer (2012), by Ivan Mora in which the use of sound is the main object of study, which will allow raising the sound proposal in El pequeño cuartel. Finally, contribute to studies about expressive sounds in documentary film, local and national.