Creación de una dramaturgia corporal a través del principio de Equilibrio en Acción (desequilibrio) de Eugenio Barba para la construcción del personaje “Esterlina” en la obra teatral Argucia

Abstract

The research starts from the Principle of Balance in Action proposed by Eugenio Barba, for the preparation of the actor in which it is mentioned that it is the search for a dynamism in the body and that is where the tensions of the body dilate and shows a pre expressive state that modifies the corporality of the actor. What is proposed is the systematization of a process in such a way that a clear path of construction of a character can be elaborated with the intention of generating a corporal dramaturgy where the actor's daily body is prepared through training, exercises, procedures and materials that They contribute to the creation of the character's body, taking as a basis of this process the pre expressive principle of the imbalance of Eugenio Barba. The extra daily nature of energy creates a living and present body with the ability to transmit sensations and emotions through the action in the spectator