La identidad del rapero como contracultura poética: análisis hermenéutico de la discografía del MC Canserbero

Abstract

This research work is about the hermeneutical analysis of the discography of one of the greatest exponents of Rap in Latin america, Canserbero. The objective of this study was to analyze the poetic-literary level to the lyrics of venezuelan MC, with the purpose of linking the themes of his songs to countercultural content, in addition to revaluing urban poetry and popular music. Currently, there are few investigations that address Latin American authors, that is the reason why we consider it necessary to carry out an inquiry that delves into the poetic content of the musical style known as Rap. For this, a methodology was established, based on the Paul Ricoeur hermeneutic theory. The results obtained demonstrated the use ofvarious stylistic and rhetorical resources in the textual content of the works of this rapper, include multiple references to literature. Finally, it should be noted that this urban performerhas transcended and influenced multiple exponents of the genre, achieving with his poetry a place in posterity.