Apéndices artificiales: prolongación sujeto-objeto contemporáneo, desde una perspectiva psicosociológica para la realización de un producto artístico en escultura

Abstract

In the human being sensations and perceptions prevail in such a way that a connection is established between the emotional states and the physical body, making the body a vehicle for expressions. In this manner, body communication takes place through sensory-motor mechanisms, which are reflected when the body experiences a certain close relationship with the surrounding objects. Under a metaphorical concept the human being becomes a host and modifies the objects as a reference. Such an association can outline a hybrid structure and manifest an allegorical context, a somewhat uncertain concept that can transcend conceptually in society.From this scenario, it is proposed to re-interpret the so-called intrinsic subject to attachment to the object, to re-create subjective particularities and to re-build the diversity of everyday contexts in relation to the modified object in a sign. This hypothesis results from some type of individual interest or from the influence of the multiplicity of trends that can lead to inclusion in cultural diversity. The development of this hypothesis is based on a methodological and qualitative research, from a psychosociological perspective, and it is proposed to reflect on this context through Art. Furthermore, with the development of referent figures, it is proposed to materialize the subject-object extension as if it were an artificial appendix. This proposal manifests the conceptual relationship on the presence of objects as possible factors that reconstruct or affect in some way the future of the human being.