Análisis del desarrollo composicional de la partitura corporal del personaje Baba en la obra Almas allá

Abstract

The present research aims to systematize and analyze the process of creation of the corporal score of the character Baba in the play Almas Allá. This construction originates from intertextual work, which proposes a translation of the poem Autosabotaje by Isabel Garcerá to a physical material, through the incorporation of corporal techniques, such as the segmentation of the trunk by Étienne Decroux and the seven levels of tension by Jacques Lecoq. These components are part of the tools obtained during my stage training and the learning derived from the Performing Arts Career at the Universidad de Cuenca. The creation process takes shape through the production of the sketches of the corporal score, which are consolidated from the work of collective creation, under an interdisciplinary look that considers theory, corporal techniques and shared visions. In addition, this research addresses the evolution of the creative process, starting from an individual approach that is favored by the collaboration and contributions of the collective, until it becomes a group experience that influences the final composition. This practice, besides tracing the course of the creative process executed, also generates reflections on new methodological possibilities and practices that diversify the scenic creation, producing a dialogue from diverse languages that seek the translation of abstract concepts into body language.