Respiración imperceptible: transformación en escena por medio del olor

Abstract

In the present research we analyze the process of creation and the procedures carried out from “Laboratorio I” subject taught in “Malla Curricular 2012-2017” in the career of “Teatro-Danza” in the faculty of Art of the University of Cuenca. After that, we evaluate the relation of the procedures later mentioned with material developed in scene that let us create a methodology of work. It was based in the importance which has the feeling of smell and its right influence with the emotions. Finding as a main element inside of our research: the use of breath and the sound. Describing the experience that we lived with Mst. Javier Andrade during one year and half, through hard work, in which the sound and the voice were important components inside of their artistic creation. The systematization of this methodology let us to impart a “Taller” which gave us as a result scenic exercise, the same which was based in the affection of the smells and the effect of breathing. Here we evaluate the relationship that exists between the different elements which we use inside of our research: smell, sound and breathing.