La construcción del personaje en la obra 'Uno en partes': una aproximación a la autoficción teatral a través de la influencia del objeto - memoria y la sinestesia táctil

Abstract

The research demonstrated the creation of the character that emerged from the laboratory process of the subject “Investigation of the Creative Process focused on staging”, which lasted around two years and resulted in the construction of the work “One in Parts”. The character is seen from the fragility of being, not finding his identity or belonging in certain places or social situations. The objective was to create characters that emerge from autofiction, applying emotional tactile synesthesia and emotional memory as creation tools; From this approach, the creation of several characters with different emotions was approached, which are part of a single person who has several personalities: Sara. Methodologically, we worked from tactile synesthesia, as a way to reach sensory memory, a proposal from one's own experience to bring it to the stage. Other theories were given circumstances, the magical yes, autofiction and a process of scenic creation. It was concluded that it is necessary to emphasize the sensory dimension of the theatrical act, to achieve the construction of new paradigms that achieve spontaneous behaviors in the spectators.