El uso del juego escénico y tradicional como estructura dramática de una composición escénica

Abstract

he present work focuses on the analysis of traditional and theatrical games as an instrument for the creation of scenic materials. It intends to be a tool that seeks to transform them into the structure of the play, and at the same time, it is a construction methodology that enhances the stage presence of the performer and his interaction with the audience. The game allows the construction of a dramaturgy (weaving) that combines pre-established scenic material with improvisations born from that playful nature, which evolves in the scenic composition, involving elements proposed by the director and by the participating artists. To reach this point, rules of traditional and scenic games are used, which establishes a dialogue of relationship between: improvised moments with the created scores, audience or spectator, training and staging; always playing with the intention of overflowing those rules.