Sonoplastia, cuerpo e imagen: Creación de atmósferas escénicas y personajes inmateriales en la escena contemporánea

Abstract

This research explores the meaning, function, and application of sound design and scenophony, based on the approaches of César Lignelli and Rodolfo Sánchez within the practice of research-creation, starting from the interaction between body, image, and sound in the creative process of the work Exiliados en Silencio (Exiles in Silence). In this sense, sound is conceived as a structural axis of dramaturgy, capable of generating atmospheres, constructing characters, and articulating meanings alongside image and body. This study takes a laboratory approach, where sound interacts with the stage space, giving rise to the concept of scenic-sound architecture, allowing it to become an autonomous device of creation, capable of constructing emotional and contextual states that affect both the performer and the spectator. In addition, sound integrates a sense of discursive construction on migration, where authors such as Sassen and Bauman, in dialogue with the experiential state of the performers-creators, trace and formulate aesthetic-artistic states, structuring evocative, representative, and symbolic levels on the social and emotional dimension of the migratory phenomenon, transforming possibilities of application/action from the language of the stage The practice is based on bodily procedures and techniques, sound editing and composition methodologies, aimed at creating auditory layers that dialogue between the body-image relationship, with sound design articulating sound and action and scenophony shaping the sound space through the use of contemporary technologies. Finally, the systematized creative experience recognizes the need to develop new contemporary procedures and methodologies that move away from text as the dramaturgical axis and place the body-sound relationship as sensory and physical dimensions, serving as creative engines that design a sense of sound architecture, with systematization being the place that allows this work to be viewed as an interdisciplinary device (combining theater, dance, new technologies, and sound design), which creates a multisensory experience for the viewer.