Creación de personajes desde los principios del sistema Konstantín Stanislavski y el concepto de geometría de línea. Análisis del caso en la obra escénica Se fue la Luz

Abstract

This project aims to design and develop a process of scenic creation that integrates the principles of Konstantin Stanislavski’s system with the concept of line geometry (the relationship between body–space–character) in order to create believable characters. This research will be carried out through a research-creation methodology and is structured into two chapters that are directly connected to scenic practice, starting from the performer’s body to build characters both from emotion and from an active, prepared physical body.The first chapter, titled The Body as a Tool for a Believable Creation, explores the foundations of Konstantin Stanislavski’s system as a way to support the development of more human, complex, and believable characters. It also incorporates concepts from physical theatre, drawing on the work of Eugenio Barba, Roberta Carreri, and Jacques Lecoq. This chapter addresses topics such as: actor training, character creation through training, and movement economy, to foster a more authentic bodily logic. In addition, it introduces the concept of line geometry, based on Robert Wilson, to support the development of a visual proposal centered on the body, space, and character.Finally, the second chapter focuses on the process of systematizing the entire procedure that has been carried out in the laboratory course and during autonomous practice.