Análisis de la construcción de una dramaturgia corporal, en relación con el objeto escénico, desde el análisis del movimiento de Rudolf Von Laban, en búsqueda del uso de la metáfora como herramienta de traducción de una estructura social, el sentido de identidad y la pertenencia

Abstract

This work analyzes, from the creative praxis of the performer/creator, the relevance of different practical creation tools that connect with theoretical concepts of object stage composition, in favor of the construction of a body dramaturgy, in the context of a creative exercise. scenic-choreographic. In this research-creation process, the starting point is to study the interpreter's sense of belonging/non-belonging to a social-cultural structure, which also contributes to the construction of an identity. This social-cultural structure was metaphorized into a scenic object, to allow the creation of a particular corporality and scenic-choreographic materials that feed a staging. With this objective, tools were taken from Rudolf von Laban's Movement Analysis, for the composition with the object from its aesthetic function and its symbolic/representational function.