La influencia de la filosofía del rizoma propuesta por Guilles Deleuze y Félix Guattari en el desarrollo de la sonoturgia dentro de un circuito performático

Abstract

This study explores how the philosophy of the rhizome, proposed by philosopher Gilles Deleuze and psychoanalyst Félix Guattari, influences the development of the sonoturgy in the performative circuit “La Quinta Estepa”. The concept of the rhizome is a metaphor borrowed from botany and presented in the book “A Thousand Plateaus” (Guattari, 1980). Deleuze and Guattari use it to describe systems of thought that are non-linear, multiple, and decentralized, which can be applied to the production, design, and experience of sound within the realms of performance and performing arts. The rhizomatic sonoturgy, as proposed in this study, is a creative approach characterized by its open and non-linear methodology. It does not follow predefined scores or structures but emerges from the direct interaction between sound, visual, and corporeal elements within the creative process. This approach seeks to generate a constant interconnection between sound, space, and movements, allowing each element to inspire and transform the others. Essentially, rhizomatic sonoturgy prioritizes the exploration of unexpected and asignifying relationships that enrich scenic narratives and stimulate new forms of expressiveness in contemporary art.