De la experiencia estética al comentario estético de una obra musical

Abstract

The dissolution of the object of study of aesthetics is addressed within the most current aesthetic comments in the arts; and the necessary rescue of the emotional component in music is based on its close relationship with the notion of aesthetic experience. The article responds to a process of academic experimentation based on the critical and essayistic experience of the authors, the observation, comparison and evaluation of referential sources, and the critically based theoretical-methodological production. An evaluation of the current state of aesthetic commentary in the field of music in its general artistic context is provided, and a model that redirects academic exercise from the disciplinary object of aesthetics, useful in elementary and higher musical training processes. Aesthetic commentary in the arts (and especially in music, as the most subjective and emotional manifestation) has suffered alterations that make it difficult to grasp the object of disciplinary study, which justifies new proposals and actions in academia.