Análisis de la construcción de un dispositivo escénico polisémico, realizado como gesto creativo intertextual utilizando el azar como herramienta composicional

Abstract

The present degree work analyzes in depth the process of generation of scenic materialities, aesthetic choices and composition of these elements constructed during the professorships of Laboratorio de Creación Escénica II and III, and how these scenic materials were organized through chance to become a polysemic scenic device. This compositional process was produced as a creative gesture, through an exercise of intertextuality in which the images of stoning from the film The Stoning of Soraya (Nowrasteh, 2009), the testimony of Asha Ismal -a victim of ablation- and an interview with an Ecuadorian woman who married a Muslim man, thus ceasing to be recognized as a full legal person, converged. In addition, composition tools by Anne Teresa de Keersmaeker and Wayne McGregor were used. This scenic creative exercise was fed by different visual, sound, textual, corporeal and scenographic materials that appeared during the semesters of theoretical and practical research, as a consequence of the intertextual or interdiscursive practice. This thesis aims to give a specific account of the subjective gesture of creation from my point of view as a performer/creator, and my location within the process.