Realización, exhibición y reflexión teórica del cortometraje. Los anhelos perdidos

Abstract

The present film project titled Realization, exhibition and theoretical reflection of the short film Los anhelos perdidos, consists of three units: the short film, the production folder and individual essays by creative area of those who compose this graduation project. In the production folder there are all the indispensable aspects, creative as well as financial, for the realization of the documentary short film. On the other part, the essays correspond to the areas of production, direction, photography and art; in them include topics such as “Financing strategies and crew limitation for the documentary short film Los anhelos perdidos”, by Noelia Alejandra Sanchez Moreno; “Maternity, disappearance and search in the direction of the documentary short film Los anhelos perdidos”, by Freddy Santiago Quizhpi Cuesta; “Landscape photography and the role of the photographer in the documentary short film Los anhelos perdidos”, by Cristopher Israel Parapi Bermejo; and, “Implementation of color and scenography for the documentary short film Los anhelos perdidos”, by John Angelo Carpio León. The research method that guides this audiovisual project is based on artistic practice (Hernández Hernández, 2006). The principal finding of this project is to represent a familiar reality, to delve into the intimate through different landscapes and contexts that immerse us in the story, to use all artistic resources at our disposal to capture different sensations and to develop some strategies that help to solve all the needs proposed by this project.