De la mente al papel... gráficos iniciales en la obra de Souto de Moura

Abstract

Thisresearchpaperaddressestheissue of therepresentation in theinitialstage of architecturalprojectconstruction. Understandstherelationshipsthatmayexistbetweentheinitialdrawings of architecturaldesign and theresultyousee in therealization of thework. Thisis done throughtheanalysis of theinitialdrawings as sketches, drawingsor sketches called, whichplay a fundamental role sincethey are therepresentation of the germinal ideas of theproject. Themethod of analysisisalwaysinterpretative, hermeneutic, so thispaperwillfocusoninvestigatingthediversity of styles and approaches, fromimagescreatedbyarchitectsthroughhistorytothepresentday. In thisdirection, westudyseveral cases wheretheyhaveusedsuchdrawings, and specificallythework of architect Eduardo Souto de Moura. As backgroundtotheanalysis of projects, thisresearchraises, first, know, understand and clarifythevocabulary of graphicrepresentation, in ordertohandlethesamelanguage and avoidconfusionwithexistingtermsusedtonamethesedrawings of theinitialgrapharchitecturaldesign, forexample, termssuch controversial as: sketch, sketch, sketch, sketch, are clarified. Italsoinvestigatesthedifferentinterpretationsgiventothese responses graphics, from a psychologicalapproach.