La experiencia en interpretación y creación del bailarín en formación, a través de su educación dancística, durante la puesta en escena de una obra de danza contemporánea. Caso: obra sala de espera

Abstract

The thesis focuses on a personal analysis and creation of "Sala de espera", to understand how the classical technique can be a tool within a creative process of contemporary dance and identify and analyze procedures, tools and training corporal methodologies, creation and choreographic composition that contribute to the interpreter in its role of composer. These essential points will be developed by performing a historical and aesthetic contextualization of the technique of classical ballet to understand the relationships between classical dance and contemporary dance and integrate the mechanisms of creation between both techniques forming tools that contribute to the work of the interpreter / creator.