Sintetizar la noción de entrenamiento personal desde los conceptos de Jerzy Grotowski y Eugenio Barba para generar un laboratorio donde el entrenamiento sea el principal objeto de estudio

Abstract

The aim of this graduation work has been to synthesize the notion of training, from the concepts of Jerzy Grotowski and Eugenio Barba, in order to generate a laboratory where training is the main object of study. Taking into consideration that the interpreter's work cannot be born if he/she does not have clear training tools. This research leads to analyze the actor's training in a deeper way, starting from the need to understand the exercises as a tool that can be adapted to the interpreter-creator's body, without losing the sensory objectives for which they are made and in turn generate a scenic performance that has as a starting point the elements resulting from a training understood and applied in a personal way to the interpreter's body situation; The same way it can be experimented to be crumbled and transformed to mutate into clear but connected tools, generating in the performer a body-mind ready to understand, integrate and register these results in himself/herself and in his/her scenic work.