La construcción de una puesta en escena basada en la indagación percutiva corporal y gestual

Abstract

This illustration seeks an approach to the scenic creation from the inquiry into gestures and the sonorous dimension –specifically percussive- that emerges from related gestures. This has the aim to create characters who will later form the basis of a staging which is formulated as a final demonstration. Approaching this process, a preliminary observation has been made of specific people who have served to become the characters. Their gestures and actions have been carefully observed, from which body scores (including sonorous) emerge. As a method of registration and at the same time as a methodology, written scores have been configured (as an act of interpretation or translation of languages), which allows combining experimentation and documentation. Among the main research components in this process, such as sonority and gestures, there are references like the body percussion group Barbatuques and the artists as Jaques Lecoq, Martín Peña and Vsévolod Meyerhold, who have been key at the time of the construction of the entire stage process, with both theory and practice. This is how the proposal has been connected from the sonorous dimension to the construction of these characters in a scenic fact, turned into dance and theater.