La dirección de arte en el tableau vivant para la videoinstalación. Las más puras

Abstract

The present monograph entitled “The art direction in the tableau vivant for the video installation Las más puras” seeks to enter the field of experimental cinema, supported by the contributions of José Antonio González (2005), making special reference to the “tableau vivant whose concept is studied in Esther Gimeno’s text entitle Pictures in motion: painting in the cinema” (2011), where the relationship between cinema and painting is clearly stated, which in our case we 3nál deal with in the video installation, as indicated German (2011). For this, we 3nál use the bibliographic method to define concepts, as well as the 3nálisis of cases according to Seymour Chatman who proposes the 3nálisis of the film into history and 3nálisis3, along with the 3nálisis of the cinematographic set design proposed by Gentile, Díaz and Ferrari (2007). The purpose of this research is to generate an art direction proposal for the experimental production Las más puras and in this way provide information for all those who search to get involved in this new way of making audiovisual productions