La risa en José María Arguedas: análisis de El sueño del pongo y El cargador

Abstract

José María Arguedas is one of the reference about literature and culture in Latin America. He’s different rehearsals, relators and his stories have been studied by the critic’s specialist and they coincide that in all his plays he manifests and consolidates an intercultural dialogue. In the following study we will analyze two canonic relates: El sueño del pongo (1965) and El cargador (1935), from laugh perspective and this is from the point of view as a transgression mechanism in order to project that indigenous image from a resistant renovation point of view with the theory of looking the world upside down. In the same way we will analyze the different laughing styles performance by Mijail Batjin with the purpose to demonstrate that through this resource Arguedas is presenting a revindication alternative through his literature.