Construcción intertexual para una puesta en escena de la oralitura de coyoctor

Abstract

In the conceptual and practical evolution of stage art, we can identify key moments such as the resignation of Artaud to the representation of theater in his time, achieving with this a new aesthetic view of what, for him, theater should be and proposing a line of work that has been and continues to be a valid place for production. Therefore, in this research work we will develop a journey through concepts that bring us closer to intertextuality, a place in which stage creation is immersed and precisely what we aim for. In this document we identify and explore concepts and discourses that allow us to situate ourselves in a place of recognition of elements to propose, not in a purist sense (which would be absurd), but from the appreciation and dialogue between each artistic element and the socio-political concepts of our interest, a scenic proposal.