Visionar una película: adaptación y deslindes entre el texto, el guión y la película

Abstract

A series of misunderstandings and erroneous assumptions continue to impair the productivity of the viewing of a film. Watching a film, especially if it is the result of an adapted script, it is often accompanied by negative judgments by readers and viewers who are accustomed to the sterile habit of comparison. Against this comparative tendency, arises the need to dispose the preconception or unprejudiced viewing of films, which can be possible to attain through the discrediting of sterile comparisons by setting radical demarcations, even in the bosom of cinematographic adaptation, deriving out of two forms of representation or means of expression, notwithstanding they share components, they are by nature, verbally and visually different. This is not about seeking the novel in a film neither the film in a novel.