La dramaturgia de la repetición como metodología para un ejercicio escénico de creación

Abstract

This research emerged from the urgency to find a profound consciousness in our lives, a new language stemming from the Andean worldview, its principles, and its configuration of non-linear time. Subsequently, this awareness is unfolded within a body that reflects and inhabits movement through a new perception of time, which spirals, sustained by a conceptual framework where the act of repetition, originating from the body, flourishes throughout the scene. This can be sensed in sonority, illumination, and then translated into a scenic toll that will develop a methodology and dramaturgy for the stage