Análisis estructural de: el pañuelo blanco pasillo, y saltashpa-rap fusión, composiciones de Naldo Campos en la interpretación de Héctor Jaramillo

Abstract

Music is the feeling expressed by the human being, who has been transforming through history in different modalities. We can appreciate a context of the musical life of the composers Naldo Campo and Héctor Jaramillo and a brief description of the rhythms: pasillo, Saltashpa and Rap, in one of his subjects as is the pasillo “El Pañuelo Blanco” and “Saltashpa – Rap”. The study objective includes the rhythms that will be treated in the structural and spatial analysis of the subjects treated. Each musical work brings with it an exclusive sound creation, easy to identify by the listener and that is part of the Ecuadorian musical tradition, giving a different approach. These musical themes have a highly relevant aesthetic and their elements in the harmony, rhythm and instrumentation of national music, through the digitalization of “El Pañuelo Blanco” and “Saltashpa – Rap”, which forms part of contemporary Ecuadorian music at the beginning of the century XXI. Dividing the present work for its better presentation in three parts. The first part, is directed to the rhythms of the pasillo, Saltashpa and Rap in its different stages, the biography of Naldo Campos and Héctor Jaramillo. The second part details the conceptual aspects of the structural analysis of the pasillo. “El Pañuelo Blanco”, also performs a spatial analysis of “Saltashpa – Rap”, A third part contains the conclusions and recommendations.