Análisis dramatúrgico de la obra Psicosis 4.48 de Sarah Kane y su relación con el feminicidio

Abstract

For some authors the work Psychosis 4.48 of Sarah Kane appears as a confusing, violent and fragmented text product of the mental disorder of the protagonist. There are those who point out that the difficulty of the interpretation is due to the multitude of voices or the only voice of the protagonist. Currently, all text can be represented but the work of Kane opens the reading to multiple interpretations because there is nothing definite. In this scenario, dance, theater and performance appear as tools not only for representation but also as instruments for the viewer to adopt a critical stance in the face of what they are seeing. From this point of view, the work of Kane lends itself to make several analyzes because the problems that it contains are diverse: psychosis, misogyny, psychological violence and femicide. This project will analyze the last work of Sarah Kane in relation to femicide taking as a central axis Brecht's theory of distancing.