Experimentación de ejercicios de teatro y danza basados en los sonidos de instrumentos musicales de la cultura afro-esmeraldeña

Abstract

The study constructs a narrative of the iconographic levels, and iconological religious art of the nineteenth century with the theme of good and evil, which provided the key tools for the process of evangelization. The engraving of “The Temptation of Saint Anthony”, canvases of “The Last Judgment” and “The Archangel Michael” are significant in terms of its theological content with an aesthetic that manages a speech of elements such as heaven, hell, angels, and demons, responding to religious orders, as well as the human groups that are linked to these works and how these principles are present in the current imaginary; separated from its evangelizing power, images and religious notions become a new aesthetic, artistic, social and historical evocation.