El laboratorio coreográfico. Entrenamiento y creación, dos instancias que se funden en una sola acción

Abstract

Building for the scene implies not only the articulation of the materials created, from the freedom and fertility that guided improvisation offers for the dancers, but the gear of all the parts that make up the scenic, in the search of a coherence to the work: the aesthetic machine. The physical training, the improvement of the dance technique must, moreover, correspond articulately with the spatial conditions in which the choreographic work is circumscribed and adapted intimately with the creative process and the aesthetic language that is generated. In that sense, the whole construction of the aesthetic form is what guarantees the success of a choreographic work.