El principio de ambigüedad de Santiago García en la construcción de una dramaturgia visual en la obra Última llamada

Abstract

This thesis is articulated from a practical and theoretical investigation, which purpose is the transfer from an Aristotelian text to a visual dramaturgy. To do so, the ambiguity principle is used as the main tool, an Antonio Garcia´s proposal. According to this principle, a visual image can produce multiple interpretations, and through them, the viewer, the performer and the scene can generate individual associations around the content of the image. To that effect, the execution of metaphors is proposed to provide the scene with elements with a high poetic content, in order to enhance the image and its discourse. To make use of metaphors, the actor is prepared through rigorous training built through repetitions, impulses, and sound and auditory stimulities, its purpose is focused on building moments within the sequence of the image, stories like, a body structure, a sequence of movements and a score of actions. All these elements and techniques in joint articulation generate lines of meanings within the image and give way to the construction of a visual dramaturgy based on ambiguity.