Los principios Ashi y Tashi del lenguaje de movimiento Gaga como herramienta para la construcción de una dramaturgia del movimiento en el ejercicio escénico De perspectiva, claroscuro y encierro

Abstract

The developed document is based on the theoretical-practical material that has been studied in the Dance-Theater course of the Faculty of Arts of the University of Cuenca. In the first chapter we will take a look at the theoretical foundations used in the research. The second chapter contains the description of the creative process of the proposed exercise. To do this, we will go to the records of the work journal to identify the tools and, therefore, systematize them. We will delve into the movement form of Ohad Naharin, dancer and choreographer, creator of his own movement methodology. Ohad will take us to explore movement from listening to the body, taking us to animal movement through its language called Gaga. We will observe and describe several important moments for the development of this research, where the body explores the different possibilities of movement that the feet have as protagonists.