El ángulo de cámara y el punto de vista aplicados a la dirección del cortometraje Tercera visita

Abstract

This research aims to study the cinematographic angle, that is, the location of the camera with respect to the filmed object, as well as what it transmits to the viewer when constituting the (visual) point of view, to apply it to the short film Tercera visita (2021). The research whose results are taken to cinematographic practice, follows the qualitative paradigm according to the type of research / creation of Hernández Hernández (2006, 13, 19 y 29; 2015). In the theoretical field, the camera angle and the point of view have important studies that at the same time configure the theoretical framework of the research: Jorge Caldera Serrano (2002); Rodolfo Denevi (2005); Alexis Racionero (2008); Leonardo Faicán, Luciano Serrano, Patricio Paredes and Vinicio Vega (2013); and De Santiago Ruiz and Orte García (2017). Likewise, the analysis of three films is carried out: Kill bill (2003), by Quentin Tarantino; Ciudad de Dios (2002), by Fernando Meirelles and Kátia Lund; and Pescador (2011), by Sebastián Cordero, referents of the proposal. The analysis of the films uses the methodology of Gentile, Díaz and Ferrari, who in their book Escenografía cinematográfica (2007), dedicate a chapter to cinematographic direction and language, specifically on angulation. The results of the work indicate a fairly marked coherence between the theoretical proposal and the practical application