Diseño sonoro,el caso del cortometraje de ficción. Entre Dolores y Soledad

Abstract

The following paper will present the process of building the film’s sound Entre Dolores y Soledad, from preproduction to the sound recording production and to the post-production of this university film project. First, it starts with an introduction to the sound in the cinematic context, giving place and meaning to this appeal beyond simple misconception of audio recording, as usually happens, but as a film tool for building audiovisual as a complete work. This first part is supplemented with the references to film-making Entre Dolores y Soledad; these references will allow working between its scores and identifying opportunities to experience in the short film done. Then, every stage of production is presented with the respective sub-stages to full implementation of the filmmaking process as a collection of the steps taken and the technical and technological tool applied, according to the requirement in each stage production of the film. After completing the process of sound,the project is concluded determining the perceptions and emotions of the sound to building the soundtrack from any audiovisual project.