Montaje de superposición sonora como premeditación aplicada al cortometraje El viaje de papá

Abstract

Cinema as a moving image heightens its organic discourse through sound. In this field, superposition is one of the tools frequently used on images; however, by using the same method it is possible to experiment and perform different techniques that allow to anticipate or narratively pre-meditate the actions or events of a film through the main sound elements such as: noise, dialogue, or music. Therefore, this research seeks to apply certain elements of sound montage in superposition to the short film “El Viaje de Papá” (Dad ́s Journey); This technique contributes to the synthesis of the argument from the sound, in addition to the interpretation of the characters. To implement this technique, it will be based on concepts such as “temporary vanishing lines” from Michel Chion The Sound (1999), the text by Blas Payri Sound Resources on “Superposition of diegesis” (2012) and the book In the Blink of an Eye by Walter Murch (2003) and his theory of "the rule of six"; Furthermore, the methodology to be used is based on research / creation (Quiroga, 2021) where the exploration of this sound field will aid in the investigative contribution of the tools and techniques within the sound montage applied to an audiovisual work.