El rap de Canserbero como discurso político de resistencia social

Abstract

In today's society there is an interest, on the part of the power apparatus, to govern the human being. However, there is also a genuine concern in the governed about not being managed. In this sense, the search for strategies to exercise resistance is necessary. This is not an easy task, but there is the possibility that the subject finds in a small fold of the oppressive discourse the opportunity to resist and command from himself and for himself his thoughts, behavior and actions. Social resistance can manifest itself in multiple areas and music, being an artistic tool, helps to manifest social resistance. This study seeks to investigate the characteristics of the political discourse of the song compilation performed by Tyrone José González (Canserbero) using critical discourse analysis. Verify the semantics used that influence the discourse of resistance and analyze the political discourse of the compilation by Tyrone José González (Canserbero) made up of 6 corpus of the artist's different albums. The Critical Discourse Analysis methodology was used to determine the existence or appeal of social resistance. Therefore, a dominant category can be defined: Social Resistance itself, which refers to a semantic relationship between the listener and the artist. A homogenization of the categories linked to the study