El principio de oposición de Eugenio Barba en la creación del personaje de la obra Cuando muere un hombre

Abstract

In this thesis it is proposed to carry out the dramaturgical construction of a theatrical work based on the principle of opposition of Eugenio Barba, starting from the creation of a character, taking into account the rhythm of the work, the plot, the construction of the scenography field, light and sonorous. The need to find the opposition is to verify the balance between two theatrical construction sites within the same scenic space, in this case, it is the application of this principle as the basis of the entire dramaturgical composition. The proposal tries to link the principle of opposition of Eugenio Barba applying it in each dramaturgical layer in the creation of the theatrical work When a man dies, mainly in the text (character, scenery, lighting).