Person:
Moya Méndez, Misael

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Birth Date

1972-05-18

ORCID

0000-0001-9019-5144

Scopus Author ID

58804350600

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Afiliación

Universidad de Cuenca, Cuenca, Ecuador
Universidad de Cuenca, Facultad de Artes, Cuenca, Ecuador

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Ecuador

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Faculta de Artes
La Facultad de Artes fue creada por el Honorable Consejo Universitario el 3 de agosto de 1999, para su organización y planificación administrativo-académica, iniciando sus actividades universitarias en octubre del año 2000. Artes es una facultad diferente, renovada, interdisciplinaria, con identidad y vínculos con la comunidad y el mundo; un lugar para desarrollar la creatividad juvenil en los generosos lenguajes de las artes plásticas, artes musicales, artes escénicas y el diseño. Cuenta con profesores permanentes actualizados y comprometidos; estudiantes creativos, sensibles, cuestionadores; autoridades democráticas, transparentes y relacionadas con la transformación. Tiene un nuevo modelo pedagógico activo y participativo, que busca sistemática y paulatinamente rodearse de los mejores equipamientos; empleados comprometidos con el bienestar colectivo; un campus universitario ubicado en una de las zonas de mayor belleza paisajística de la ciudad, Yanuncay; son solo algunos de los factores que nos alientan a trabajar con gran entusiasmo y esfuerzo para alcanzar la excelencia.

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Moya Méndez

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Misael

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2020 - 20242
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    Publication
    Formas de la experiencia estética en artes visuales como teorización en torno a un proceso referencial de investigación-creación
    (2024) Moya Méndez, Misael
    Introduction: After some essential methodological clarifications about research-creation as a typology of research in the arts, a process of theoretical construction is developed for a situated knowledge of the notion of aesthetic experience. Methods: It proceeds in the context of accompaniment to a collective and synchronous process of research-creation in visual arts. Through observation and critical analysis, specific forms of manifestation of the visual aesthetic experience are identified, described and categorized. Results: An elaborate concept of aesthetic experience is provided and three specific categories are identified and described, as manifested in a set of 40 research-creation exercises in visual arts. Conclusions: Research-creation proceeds through the construction of an aesthetic experience, which, based on traditional and contemporary creative exercises, can be classified as contemplative, empathetic or immersive; according to specific characteristics that shelter a stylistic, technical and expressive diversity of great richness in the visual arts.
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    Publication
    Los paisajes “que pintó Martí”
    (Feijóo, 2020) Moya Méndez, Misael
    This book gives an account of what was an exciting and patient work in the footsteps of more than one landscape attributed to the National Hero José Martí. The arduous task led the author of these pages to investigate documentary and testimonial sources, and even to pursue the rolls of a now defunct silent film in colors dating from 1940. The conclusions point to the existence of two oil paintings that one day will be authenticate definitively; one of them, still lost. The text offers an adequate contextualization about the knowledge of Marti around the art of painting, and closes with the approach of the so-called “frustrated vocation” of José Martí, an interesting solidary solution between painting and literature.