Artes Musicales

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Acercamiento a los elementos compositivos y pianísticos del pasillo para piano Agur del compositor Henry Alvarez
(Universidad de Cuenca, 2022-01-06) Alvarez Matute, Henry Emanuel; Bueno Escobar, Julio Darío
The present document it´s about an approach to compositional structures, to establish musical elements that will serve in the understanding and pianistic interpretation of the work. By recognizing these elements, characteristics of Ecuadorian musical folklore can be identified, fused with styles, techniques and academic structures of the nationalist current. This work carries out a qualitative study, because the Agur pasillo is an observable fact designed to make specific points of view known in piano performance in various aspects such as compositional style, shape, texture, agogic, dynamics, etc. On which the recommendations that require a clear, clean and balanced acoustic production will be made. It is necessary to remember that there is no information regarding the academic Agur pasillo, because it belongs to the authority of Henry Alvarez, a composition completed approximately in the year 2017, so this work serves as a source that allows us to understand the musical conception of the work, the historical context on which it was based for its composition which addresses the style, form and compositional processes extracting the musical elements that are present in it.
Análisis armónico – formal de los temas Corazón Equivocado, Ñuca Llacta y Caraway del grupo Ñanda Mañachi
(Universidad de Cuenca, 2022-02-17) Santillán Montalvo, Leslie Dámaris; Saula Fuentes, Verónica Johanna
This research paper proposes the analysis of three musical themes of the Ecuadorian group Ñanda Mañachi, in order to understand its compositional and interpretative method. This research covers the history and trajectory of the group from its origin to the present day. It presents the transcription of the works "Corazón Equivocado", "Ñuca Llacta" and "Caraway", of which an analytical study is carried out both harmonic and formal.
Análisis e interpretación de la obra Andino III del compositor ecuatoriano Arturo Rodas
(Universidad de Cuenca, 2021-12-01) Navarrete González, Sara Sofía; Fernández Vizcaíno, Sandra Patricia
The present work consists of a musical analysis of “Andino III”, a work by Ecuadorian composer Arturo Rodas, with the purpose of generating a performance proposal. This musical work is contemporary in nature and consists of sections and outstanding gestures, very particular to its time. As it does not contain, for the most part, traditional musical parameters, it invites a different type of analysis, appreciation and interpretation than what is customary. The methods used for this analysis are based on the terminologies found in the article “Gesture in Contemporary Music” by Zampronha (2005) and the magazine “Variaciones” Volume I (2019). Additionaly, schemes and references from the book "Musical Analysis: Keys to Understanding and Interpreting Music" by De Reizabal (2009) have been used. Apart from this analysis, an approach was made to the extended techniques of the transverse flute, especially to those present in the work “Andino III”. This approach provided an overview of the characteristics of the extended techniques and how to interpret them correctly.
Análisis e interpretación de la obra para flauta y piano Sonatina Oriental del compositor David Díaz Loyola
(Universidad de Cuenca, 2022-10-26) Espinoza Sánchez, Diana Carolina; Fernández Vizcaíno, Sandra Patricia
The present work aims to create a performance proposal of the Sonatina Oriental for flute and piano by the composer David Díaz Loyola. The object of study is linked to the need to create theoretical material that benefits the interpreter interested in performing the above mentioned piece or others with similar characteristics. The proposed objectives were to carry out a formal and technical analysis of the Sonatina Oriental for interpretive purposes, to generate a historical-stylistic context for the composer, to develop a performance proposal with suggestions and tools for working out technical difficulties and to perform the piece. The research techniques used were a bibliographical review, the compilation of historical data, and the analysis of the piece according to the Guía Práctica para la Aplicación Metodológica del Análisis Musical by Luis Ángel de Benito and Javier Artaza Fano. The main results of this work include a performance proposal for the piece and a theoretical basis for any student who would like to approach the study of the Sonatina Oriental by Díaz Loyola.
Análisis e interpretación de la obra Wiki para cuarteto de cuerdas del compositor David Tinitana
(Universidad de Cuenca, 2021-11-23) Puchaicela Gualán, Chakira; Vergara Saula, William René
This bachelor work is about a musical, technical-instrumental and performance analysis of the Ecuadorian composer David Tinitana’s work named Wiki. This piece is based on the traditional genre of the kichwa Saraguro culture. For this reason, a sociocultural context is showed to allow the understanding of this culture and genre. As a result, an edition of the work sustained on the analytic criteria is shown.
Análisis musical de tres canciones de la agrupación Los Gatos, de San José de Chimbo
(Universidad de Cuenca, 2021-08-02) Armijo Galeas, Washington Dario; Guanchez Blanco, José Gregorio
The present work arises from the interest to contribute and to know with technical- musical studies the writing, structure and harmonic progressions present in Ecuadorian popular music. When reviewing the sound recordings of popular music in Ecuador, we observe diverse socio-cultural events that have contributed to the musical identity that currently exists in the country. Cultural mix, the development of technical resources for recordings, the evolution of musical instruments, industrialization and the globalization of music are some of the variables that have influenced the development of music in Ecuador. In this analytical, qualitative and ethnographic work, a musical analysis of three songs recorded by the musical group Los Gatos has been carried out. It is divided into three chapters that address the musical formation of this group, the theoretical foundations of musical analysis based on the method of Phillip Tagg and the harmonic technique and analysis of Arnold Schoenberg, to finally address the analysis of three songs recorded by the group Los Gatos with the proposed model.
Análisis musical, comparativo e interpretativo del primer movimiento del concierto en La menor Nº 22 de G. B. Viotti
(Universidad de Cuenca, 2022-01-03) Ramón Celi, John Esteban; Cevallos Ordóñez, Jhomayra Elizabeth
The present investigation analyzes the first movement of G.B. Viotti’s concerto NO.22 from a comparative and an interpretative point of view. The first chapter features Giovanni Battista Viotti’s composition as well as his influence on the technical development of the violin; later on, a formal analysis-drawn from Jean La Rue’s text on musical elements (acronym in Spanish, SAMeR)-is presented. A comparative analysis between two musical editions of the concert, namely, form Ferdinand David (1810-1873), and Gaetano Fusella (1876-1973), as introduced. Through this investigation we notice a change in suggestions (that have varied over the years) of how the musical interpretation ought to be played; this in turn will help us make musical and technical decisions four our interpretation.
Arreglos para banda de rock de obras tradicionales en el género de albazo y pasacalle
(Universidad de Cuenca, 2021-08-08) Siguencia Ávila, Manuel Esteban; Urgilés Cárdenas, José Eduardo
The present degree work is oriented to the realization of three musical arrangements of two Ecuadorian rhythms, such as: albazo and pasacalle, to merge them with the musical elements of rock and thus achieve the dissemination of national music through the arrangements written for this format contemporary rock band. For this, the works of the Ecuadorian composers Carlos Rubira Infante and Rubén Uquillas have been selected. Before starting with the arrangements, an exhaustive historical investigation is carried out on the two Ecuadorian rhythms and the rock genre, all this including their rhythmic, harmonic and melodic characteristics. Then, the authors Walter Piston, Samuel Adler and Kawakami are taken as references, the latter conducting a study more focused on the arrangement of popular music, in order to strengthen knowledge regarding existing arranging techniques. Next, the original works are analyzed and then the three arrangements are made and analyzed. For the analysis, we proceed to review the book "Analysis of musical style" by the author Jan LaRue, which is based on a qualitative analysis of harmony, melody and rhythm. Finally, we attach the scores of the three arrangements made for this titling work.
Creación de un arreglo musical en el estilo pop-fusión a partir de la propuesta arreglista de Dirty Loops
(Universidad de Cuenca, 2022-06-23) Lozada Marín, David Gabriel; Vallejo Yépez, Cristian Esteban
This research is focused on the creation of a musical arrangement in the Fusion pop genre. It was inspired from the style of the band called Dirty Loops. For its creation, it was necessary to analyze and identify the characteristics that this band applies in its creative process, such as melody, harmony and rhythm. In the first chapter, prior to the arrangement process, different techniques were investigated to know what can be applied to each of the musical elements: melody, harmony and rhythm, taking into account Genichi Kawakami as a reference. In addition, Margarita and Arantza Lorenzo de Reizábal were considered as guides for the analysis process of the melodic, harmonic and rhythmic sections. In the second chapter, two analyzes were carried out on the song called Rolling in the Deep. The first of them was the version of the singer named Adele, and the second one was the Dirty Loops´ version, which allowed to identify the resources applied by the band. Once the information was collected, the arrangement of How Long song, and its analysis were elaborated through the resources presented in the Dirty Loops arrangement proposal.

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Browsing Artes Musicales by Subject "Análisis cualitativo"