Cine y Audiovisuales-Pregrado

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Browsing Cine y Audiovisuales-Pregrado by Subject "Arte"

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    Enchufe TV: la atmósfera dramática. Estética de cinco minutos
    (2016) Villamar Rivas, Diana Pilar; Pazos Bolaños, Franklin David
    Production design, in Ecuador is art direction in film and it involves several different areas such as scenery, setting, props, and characterization (costume, hair and makeup). These roles attend the neatness of the image within the cinematic industry. Apart from aesthetics, image has also the potential to support the dramatic sub-textual lines. The metaphorical and sub-textual level that has been routed in this paper focuses on the development of building credible atmospheres and dramatic spaces parallel to the pictorical narrative short sketches. The art direction characterized by the symbolic power of suggestion with every decision about shape or color within the composition of a frame. In Ecuador, and the author´s personal experience, lack of film production has led to create fiction in a mass distribution platforms such as the internet. Through this work, and with national and international film and television references, art direction is to be analyzed in five sketches of the first season of Enchufe.tv, Touche Films channel in Youtube web platform, and how it influences to capture attention and generate emotions in short time.
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    La psicología del color en la dirección de arte en el cortometraje “El Camino de Solano”
    (Universidad de Cuenca, 2021-06-11) Mejía Jiménez, Ana Cristina; Neira Molina, Álvaro Sebastián
    This final project proposes to study the psychology of color in art direction and within it, the props and costumes of our characters, through an analysis of three films: Stan by me, Rob Reiner (1986), Qué tan lejos, Tania Hermida (2006) and O caminho das nuvens, Vicente Amorim (2003). The theoretical perspective that we have defined includes concepts from psychology of color by Eva Heller (2004); Johannes Itten (1961), etc. which will help us specify the problem posed, which is: How to make psychology of color express the moods of the characters, for the short film El Camino de Solano? For this, the bibliographic method will be used, to define concepts and meanings of psychology of color, as well as analizing films according to Seymour Chatman, who divides the film into history and expression, along with the analysis of architectural space suggested by Gentile, Diaz and Ferrari (2007). With the results of our research, we hope to design a well-founded proposal for the short film El Camino de Solano, as well as contribute to theory and practice in film art direction.
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    Relación pintura – cine, estudio de la propuesta de realización aplicada a: desde el taller
    (2017-06) Velarde Garcés, María Bethania; Rodríguez Moscatel, Laura
    This thesis is based on the inspiration of Ecuadorian painters and their place as state of art, place, influence and tribute in Ecuador. This research has as purpose to understand the value that the painting has given to the cinema, shown in Desde el Taller with the Ecuadorian painter named Jorge Velarde. This thesis will have three aspects . The first is a brief review of the relationship painting - photography and film . The second is about producing Desde el Taller, a teaser for a documentary series of Ecuadorian painters, reviewing the pre production, the production and post production. The third is the conclusion "From the Workshop" and improve the proposal that manages to be a viable and successful audiovisual project.
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    Resemantización de pinturas religiosas desde un enfoque de género: videoinstalación “Las más Puras”
    (Universidad de Cuenca, 2021-08-10) Gómez Espín, Francisco Santiago; Rodríguez Moscatel, Laura
    Within this research it is proposed to recemantize religious paintings from a gender perspective using the video-installation format to create the work "Las más puras". The question arises: How can religious paintings be resemanticized through a queer gaze in search of a cinema that strips away its classic narrative characteristics and takes concepts from expanded cinema? In order to begin to answer this question, it is necessary to cite the following references, which will be an essential part of this research: Gene Youngblood (1970) who theorizes and proposes a cinema that can be consumed by an expanded consciousness, departing from the traditional concept of production, distribution and cinema consumption; Judith Buttler (1995) an important contemporary philosopher who has made several academic contributions on queer theory, that we will also question with practices and theories that oppose the conceptions from the academy about gender and bodies. We will also study the Quito School and its historical context that has been studied by Alexandra Kennedy (2007). This research involves an applied qualitative methodology, its directed by a descriptive, qualitative and deductive system, its objective is developing a thoric reference boundary composed by concepts, techniques and esthetics that can help to reach the main objective that consists of carrying out the pertinent theoretical research and translating it into the planning of the video installation as production final where, starting from the resemantization of said paintings from a gender perspective, working with it the visibility of sex-generic diversities and to question the life models imposed by religion from reintroduced aesthetic elements.