Cine y Audiovisuales-Pregrado

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Browsing Cine y Audiovisuales-Pregrado by Subject "Análisis cinematográfico"

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    El ‘estilo trascendental’ aplicado al cortometraje de drama juvenil Distancia
    (Universidad de Cuenca, 2021-01-22) Saca Guamán, Paúl Andrés; Torres Palchisaca, Galo Alfredo
    This study is a qualitative research aimed at understanding the so-called resources of everyday, disparity, and stasis, as fundamental pillars of the 'transcendental style', proposed by the North American theorist Paul Schrader, in his analysis of Yasujirô Ozu’s films. Based on Schrader's theoretical proposal, by way of argument, Gilles Deleuze's theory on contemplative cinema is reviewed. This theoretical framework has been helpful at analyzing Latin American travel films, along with the application of the structural and generic method proposed by the script theorist Gerardo Fernández, in his book Dramaturgia Método para escribir o analizar un guión dramatizado ([2003] 2014, sic.); and, together with the scheme of the classic hero's journey, in the version of Francis Vanoye, who, in his book Guiones modelo y modelos de guión, ([1991] 1996, sic.) proposes a method to analyze films that are developed as open structures of the odyssey type. Finally, the dramatic proposal applied to the Distancia script is presented. Through theorization and practice, the goal of this work is to obtain the script for a youth travel drama, in addition to contributing to the theoretical reflection on script writing and to Ecuadorian cinematography.
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    Las variaciones lingüísticas como herramienta dramática aplicadas a la construcción de un guion cinematográfico
    (Universidad de Cuenca, 2025-01-07) Villalba Valencia, Jhonatan Vladimir; Gonzalo Jiménez, Gonzalo
    This research aims to analyze certain dialogues from a film script, beyond the communicative aspect between characters, to understand the extent to which these dialogues describe and position the characters and their identities. Additionally, this study seeks to serve as a question generator for Ecuadorian screenwriters regarding the updating of resources in their future works. The theoretical framework of this proposal, supported by theorists such as José del Valle and Manuel Alvar in their work on linguistics and David Bordwell and José Luis García on film aesthetics, includes concepts of social and geographical linguistic variations to analyze how they significantly influence the worldview of an Ecuadorian audience in the creation of a film script. The methods will include content analysis, specifically applied to selected dialogues from the film Ratas, ratones, rateros by Ecuadorian filmmaker Sebastián Cordero (1999), and an interview with the director. For the analysis of selected dialogues, the Hymes method, created by sociolinguist Dell Hymes, will be used as a fundamental tool to analyze language use in specific contexts. The research question is: How do the dialogues of the different characters in the film Ratas, ratones, rateros add dramatic value to its creation? Based on this, the research will include a literature review, film analysis, and the application of the findings to the proposed script.